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Gregorianischer Choral
"(c4) Ma(d)gn\u00e6(ixhiHG) di(f)es(ed) l\u00e6(c)t\u00ed(f)ti(g)\u00e6(h) (::) No(h)bis(j) il(k)l\u00fa(ixjvIH)xit(g) c<sp>'ae</sp>(j)li(ixihi)tus:(h) (:) Pe(j)trus(k) ad(j) thro(hgh)num(f) gl\u00f3(g)ri(gfg)\u00e6(h) (;) Mar(d)tyr(f!gh) per(g)v\u00e9(fvED)nit(c) \u00edn(f)cly(ede)tus.(d) 2.(::) Pu(d)er(ixhiHG) in(f) fi(ed)de(c) cl\u00e1(f)ru(g)it,(h) (;) Pa(h)r\u00e9n(j)tum(k) ca(ixjvIH)rens(g) n\u00e9(j)bu(ixihi)la:(h) (:) De(j)o(k) ser(j)v\u00ed(hgh)re(f) st\u00fa(g)du(gfg)it(h) (;) Sub(d) pau(f!gh)per(g)t\u00e1(fvED)tis(c) r\u00e9(f)gu(ede)la.(d) 3.(::) Car(d)nem(ixhiHG) af(f)fl\u00ed(ed)xit(c) j\u00fa(f)gi(g)ter(h) (;) In(h) la(j)b\u00f3(k)re(ixjvIH) mul(g)t\u00ed(j)pli(ixihi)ci,(h) (:) Vi(j)am(k) se(j)quens(hgh) hu(f)m\u00ed(g)li(gfg)ter(h) (;) Pa(d)tris(f!gh) su(g)i(fvED) Do(c)m\u00ed(f)ni(ede)ci.(d) 4.(::) Vi(d)ta,(ixhiHG) mors,(f) si(ed)gna(c) v\u00e1(f)ri(g)a,(h) (;) C\u00e6(h)lum(j) fre(k)qu\u00e9n(ixjvIH)ti(g) l\u00fa(j)mi(ixihi)ne,(h) (:) Dant(j) Pe(k)tro(j) te(hgh)sti(f)m\u00f3(g)ni(gfg)a(h) (;) De(d) san(f!gh)cti(g)t\u00e1(fvED)tis(c) c\u00fal(f)mi(ede)ne.(d) 5.(::) Qu<sp>'ae</sp>(d)su(ixhiHG)mus(f) Au(ed)ctor(c) \u00f3(f)mni(g)um,(h) (;) In(h) hoc(j) Pa(k)sch\u00e1(ixjvIH)li(g) g\u00e1u(j)di(ixihi)o,(h) (:) Per(j) i(k)ps\u00ed(j)us(hgh) suf(f)fr\u00e1(g)gi(gfg)um(h) (;) Cre(d)scat(f!gh) no(g)stra(fvED) de(c)v\u00f3(f)ti(ede)o.(d) 6.(::) Gl\u00f3(d)ri(ixhiHG)a(f) ti(ed)bi,(c) D\u00f3(f)mi(g)ne,(h) (;) Qui(h) sur(j)re(k)x\u00ed(ixjvIH)sti(g) a(g) m\u00f3r(j)tu(ixihi)is,(h) (:) Et(j) for(k)tes(j) in(hgh) cer(f)t\u00e1(g)mi(gfg)ne(h) (;) Ser(d)tis(f!gh) or(g)nas(fvED) per(c)p\u00e9(f)tu(ede)is.(d) (::) A(ded)men.(cd) (::)"„Primus gravis (Der Erste ist ernst)“
Der 1. Ton (Dorisch) gilt traditionell als ernst, erhaben und majestätisch.
Mit diesem GABC Code kann der Choral z.B. mit GregorioTeX gerendert werden.