Seite wird geladen …
Seite wird geladen …
Gregorianischer Choral
"(c4) Te(f) ge(cf)sti(f)\u00e9n(gh)tem(ixivHG) g\u00e1u(hg)di(f)is,(g//ggf) (::) Te(f) s\u00e1u(h)ci(i)am(jj) do(j)l\u00f3(kj)ri(iyi)bus,(j) (:) Te(j) ju(j)gi(j) a(k)m\u00ed(jj)ctam(h) gl\u00f3(ixih)ri(g)a,(h) (;) O(f) Vir(g)go(gf) Ma(gi)ter,(ivHG) p\u00e1n(hg)gi(f)mus.(g//ggf) 2.(::) A(f)ve(cf) re(f)d\u00fan(gh)dans(ixivHG) g\u00e1u(hg)di(f)o,(g//ggf) (;) Dum(f) c\u00f3n(h)ci(ixi)pis,(jj) dum(j) v\u00ed(kj)si(iyi)tas,(j) (:) Et(j) e(j)dis,(k) of(jj)fers,(h) \u00edn(ixih)ve(g)nis,(h) (;) Ma(f)ter(g) be(gf)\u00e1(gi)ta,(ivHG) F\u00ed(hg)li(f)um.(g//ggf) 3.(::) A(f)ve(cf) do(f)lens,(gh) et(ixivHG) \u00edn(hg)ti(f)mo(g//ggf) (;) In(f) cor(h)de(i) a(i)g\u00f3(jj)nem,(j) v\u00e9r(kj)be(iyi)ra,(j) (:) Spi(j)nas,(j) cru(k)c\u00e9m(jj)que(h) F\u00ed(ixih)li(g)i(h) (;) Per(f)p\u00e9s(g)sa,(gf) prin(ixgi)ceps(ivHG) m\u00e1r(hg)ty(f)rum.(g//ggf) 4.(::) A(f)ve(cf) in(f) tri(f)\u00fam(gh)phis(ixivHG) F\u00ed(hg)li(f)i,(g//ggf) (;) In(f) \u00ed(h)gni(ixi)bus(jj) Pa(j)r\u00e1(kj)cli(iyi)ti,(j) (:) In(j) re(j)gni(j) ho(k)n\u00f3(jj)re(h) et(h) l\u00fa(ixih)mi(g)ne,(h) (;) Re(f)g\u00ed(g)na(gf) ful(ixgi)gens(ivHG) gl\u00f3(hg)ri(f)a.(g//ggf) 5.(::) Ve(f)n\u00ed(cf)te(f) gen(gh)tes,(ixivHG) c\u00e1r(hg)pi(f)te(g//ggf) (;) Ex(f) his(h) ro(ixi)sas(jj) my(j)st\u00e9(kj)ri(iyi)is,(j) (:) Et(j) pul(j)chri(j) a(k)m\u00f3(jj)ris(h) \u00edn(ixih)cly(g)t\u00e6(h) (;) Ma(f)tri(g) co(gf)r\u00f3(ixgi)nas(ivHG) n\u00e9(hg)cti(f)te.(g//ggf) 6.(::) Sit(f) Tri(cf)ni(f)t\u00e1(gh)ti(ixivHG) gl\u00f3(hg)ri(f)a,(g//ggf) (;) Qu\u00e6(f) sa(h)cra(ixi) per(jj) my(j)st\u00e9(kj)ri(iyi)a(j) (:) O(j)r\u00e1n(j)ti(k)bus(jj) det(h) gr\u00e1(ixih)ti(g)am,(h) (;) Qua(f) con(g)se(gf)qu\u00e1n(ixgi)tur(ivHG) gl\u00f3(hg)ri(f)a.(g//ggf) (::) A(fgf)men.(ef) (::)"„Sextus devotus (Der Sechste ist fromm)“
Der 6. Ton (Hypolydisch) ist zart, fromm und oft kindlich-lieblich.
Mit diesem GABC Code kann der Choral z.B. mit GregorioTeX gerendert werden.