Seite wird geladen …
Seite wird geladen …
Gregorianischer Choral
"(f3) STA(f)BAT(e) Ma(f)ter(fg) do(i)lo(h)r\u00f3(g)sa(f) (;) Jux(h)ta(g) cru(f)cem(fe) la(f)cri(g)m\u00f3(f)sa,(e) (;) Dum(g) pen(h)d\u00e9(g)bat(f) F\u00ed(e)li(f)us,(f) (::) Cu(f)lus(e) \u00e1(f)ni(fg)mam(i) ge(h)m\u00e9n(g)tem,(f) (;) Con(h)tri(g)st\u00e1(f)tam(fe) et(f) do(g)l\u00e9n(f)tem,(e) (;) Per(g)tran(h)s\u00ed(g)vit(f) gl\u00e1(e)di(f)us.(f) (::) O(j) quam(h) tr\u00ed(j)stis(ji) et(g) af(h)fl\u00ed(g)cta(f) (;) Fu(g)it(h) il(i)la(hg) be(h)ne(g)d\u00ed(i)cta(j) (;) Ma(j)ter(i) U(h)ni(g)g\u00e9(f)ni(e)ti!(f) (::) Quae(j) mae(h)r\u00e9(j)bat(ji) et(g) do(h)l\u00e9(g)bat,(f) (;) Pi(g)a(h) Ma(i)ter,(hg) dum(h) vi(g)d\u00e9(i)bat(j) (;) Na(j)ti(i) po(h)e(g)nas(f) \u00ednc(e)lyti.(f) (::) Quis(f) est(h) ho(i)mo(hg) qui(f) non(e) fle(f)ret,(g) (;) Ma(h)trem(g) Chri(f)sti(fe) si(f) vi(e)d\u00e9(dxd)ret(c) (;) In(f) tan(e)to(g) sup(h)pl\u00ed(g)ci(f)o?(f) (::) Quis(f) non(h) pos(i)set(hg) con(f)tri(e)st\u00e1(f)ri,(g) (;) Chri(h)sti(g) Ma(f)trem(fe) con(f)tem(e)pl\u00e1(dxd)ri(c) (;) Do(f)l\u00e9n(e)tem(g) cum(h) F\u00ed(g)li(f)o?(f) (::) Pro(f) pec(e)c\u00e1(c)tis(fe) su(g)ae(h) gen(g)tis(f) (;) Vi(h)dit(j) Je(i)sum(hg) in(h) tor(g)m\u00e9n(f)tis,(e) (;) Et(g) fla(i)g\u00e9l(g)lis(h) s\u00fab(g)di(f)tum.(f) (::) Vi(f)dit(e) su(c)um(fe) dul(g)cem(h) na(g)tum(f) (;) Mo(h)ri(j)\u00e9n(i)do(hg) de(h)so(g)l\u00e1(f)tum,(e) (;) Dum(g) e(i)m\u00ed(g)sit(h) sp\u00ed(g)ri(f)tum.(f) (::) Ei(f)a(f) Ma(h)ter,(hg) fons(f) a(g)m\u00f3(f)ris,(e) (;) Me(g) sen(g)t\u00ed(h)re(gf) vim(h) do(i)l\u00f3(j)ris(j) (;) Fac,(h) ut(h) te(g)cum(f) l\u00fa(e)ge(f)am.(f) (::) Fac(f) ut(f) \u00e1r(h)de(hg)at(f) cor(g) me(f)um(e) (;) In(g) a(g)m\u00e1n(h)do(gf) Chri(h)stum(i) De(j)um,(j) (;) Ut(h) si(h)bi(g) com(f)pl\u00e1(e)ce(f)am.(f) (::) Sanc(j)ta(i) Ma(h)ter,(hg) i(h)stud(g) a(f)gas,(e) (;) Cru(g)ci(h)f\u00ed(i)xi(hg) fi(i)ge(j) pla(h)gas(g) (;) Cor(h)di(g) me(f)o(g) v\u00e1(h)li(g)de.(f) (::) Tu(j)i(i) na(h)ti(hg) vul(h)ne(g)r\u00e1(f)ti,(e) (;) Tam(g) di(h)gn\u00e1(i)ti(hg) pro(i) me(j) pa(h)ti,(g) (;) Poe(h)nas(g) me(f)cum(g) d\u00ed(h)vi(g)de(f) (::) Fac(f) me(j) te(j)cum(ih) pi(j)e(i) fle(h)re,(g) (;) Cru(h)ci(g)f\u00ed(i)xo(ih) con(g)do(h)l\u00e9(g)re,(f) (;) Do(e)nec(f) e(g)go(h) v\u00ed(g)xe(f)ro.(f) (::) Jux(f)ta(j) cru(j)cem(ih) te(j)cum(i) sta(h)re,(g) (;) Et(h) me(g) ti(i)bi(ih) so(g)ci(h)\u00e1(g)re(f) (;) In(e) plan(f)ctu(g) de(h)s\u00ed(g)de(f)ro.(f) (::) Vir(h)go(hi) v\u00edr(j)gi(ji)num(j) prae(i)cl\u00e1(h)ra,(g) (;) Mi(h)hi(i) jam(h) non(hg) sis(h) a(g)m\u00e1(f)ra:(e) (;) Fac(g) me(i) te(g)cum(h) pl\u00e1n(g)ge(f)re.(f) (::) Fac(h) ut(hi) por(j)tem(ji) Chri(j)sti(i) mor(h)tem,(g) (;) Pas(h)si(i)\u00f3(h)nis(hg) fac(h) con(g)s\u00f3r(f)tem,(e) (;) Et(g) pla(i)gas(g) re(h)c\u00f3(g)le(f)re.(f) (::) Fac(f) me(h) pla(g)gis(gh) vul(i)ne(h)r\u00e1(g)ri,(f) (;) Fac(e) me(h) cru(i)ce(i) i(h)ne(g)bri(h)\u00e1(i)ri,(j) (;) Et(h) cru(g)c\u00f3(f)re(e) F\u00ed(g)li(f)i.(f) (::) Flam(f)mis(h) ne(g) u(gh)rar(i) suc(h)c\u00e9n(g)sus,(f) (;) Per(e) te(h) Vir(i)go,(ih) sim(g) de(h)f\u00e9n(i)sus(j) (;) In(h) di(g)e(f) ju(e)d\u00ed(g)ci(f)i.(f) (::) Chri(h)ste,(f) cum(f) sit(fe) hinc(f) ex(g)\u00ed(h)re,(g) (;) Da(h) per(j) Ma(j)trem(ji) me(j) ve(h)n\u00ed(g)re(f) (;) Ad(e) pal(f)mam(g) vi(i)ct\u00f3(h)ri(g)ae.(f) (::) Quan(h)do(f) cor(f)pus(fe) mo(f)ri(g)\u00e9(h)tur,(g) (;) Fac(h) ut(j) \u00e1(j)ni(ji)mae(j) do(h)n\u00e9(g)tur(f) (;) Pa(e)ra(f)d\u00ed(g)si(i) gl\u00f3(h)ri(g)a.(f) (::) A(fgf)men.(ef) (::) <i>Dom. III. Sept. additur:</i> {A}l(e)le(h)l\u00fa(gf~)ia.(f) (::)"„Secundus tristis (Der Zweite ist traurig)“
Der 2. Ton (Hypodorisch) hat oft einen ruhigen, traurigen und demütigen Charakter.
Mit diesem GABC Code kann der Choral z.B. mit GregorioTeX gerendert werden.