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Gregorianischer Choral
"(c4) TE(e) De(gh)um(h) lau(hg)d\u00e1(h!iwj)mus:(ih) *(;) te(e) D\u00f3(gh)mi(h)num(h) con(g)fi(hi)t\u00e9(ivHG)mur.(g) (::) Te(gi) ae(h)t\u00e9r(j)num(i) Pa(hi)trem(h) (;) o(e)mnis(gh) ter(h)ra(h) ve(g)ne(hi)r\u00e1(ivHG)tur.(g) (::) Ti(gi)bi(h) o(j)mnes(i) An(hi)ge(hg)li,(h) (;) ti(e)bi(gh) coe(h)li(h) et(h) u(h)ni(h)v\u00e9r(h)sae(h) po(g)te(hi)st\u00e1(ivHG)tes:(g) (::) Ti(gi)bi(h) Ch\u00e9(j)ru(i)bim(h) et(h) S\u00e9(hi)ra(hg)phim(h) (;) in(e)ces(gh)s\u00e1(h)bi(h)li(h) vo(h)ce(g) pro(hi)cl\u00e1(ivHG)mant:(g) (::) San(gh!iwj)ctus:(ih) (::) San(gh!iwj)ctus:(ih) (::) San(eg!h!iwj)ctus(ih) (;) D\u00f3(h)mi(h)nus(h) De(g)us(hi) S\u00e1(i)ba(hg)oth.(g) (::) Ple(gi)ni(i) sunt(h) coe(j)li(i) et(h) ter(hi)ra(h) (;) ma(e)je(gh)st\u00e1(h)tis(h) gl\u00f3(h)ri(g)ae(hi) tu(ivHG)ae.(g) (::) Te(gih) glo(j)ri(i)\u00f3(hi)sus(h) (;) A(h)po(h)sto(h)l\u00f3(g)rum(hi) cho(ivHG)rus:(g) (::) Te(gih) Pro(j)phe(i)t\u00e1(hi)rum(h) (;) lau(h)d\u00e1(h)bi(g)lis(hi) n\u00fa(i)me(hg)rus:(g) (::) Te(gih) M\u00e1r(j)tyr(i)um(h) can(h)di(h)d\u00e1(hi)tus(h) (;) lau(h)dat(g) ex(hi)\u00e9r(i)ci(hg)tus.(g) (::) Te(gi) per(h) or(j)bem(i) ter(h)r\u00e1(hi)rum(h) (;) san(e)cta(gh) con(h)fi(h)t\u00e9(h)tur(g) Ec(hi)cl\u00e9(i)si(hg)a:(g) (::) Pa(gh!iwj)trem(ih) (;) im(h)m\u00e9n(h)sae(h) ma(g)je(hi)st\u00e1(ivHG)tis:(g) (::) Ve(gi)ne(h)r\u00e1n(j)dum(i) tu(h)um(h) ve(hi)rum,(h) (;) et(h) \u00fa(h)ni(g)cum(hi) F\u00ed(i)li(hg)um:(g) (::) San(gh!iwj)ctum(ih) quo(hi)que(h) (;) Pa(h)r\u00e1(h)cli(g)tum(hi) Sp\u00ed(i)ri(hg)tum.(g) (::) Tu(gh) Rex(h) gl\u00f3(hg)ri(h)ae,(hi) (,) Chri(g)ste.(e) (::) Tu(e) Pa(gh)tris(h) (,) sem(h)pi(h)t\u00e9r(hg)nus(h) es(hi) F\u00ed(g)li(g)us.(e) (::) Tu(e) ad(gh~) li(h)be(h)r\u00e1n(h)dum(h) su(h)sce(h)pt\u00fa(h)rus(g) h\u00f3(h!iwj)mi(ivHG)nem,(h) (;) non(e) ho(gh)ru(h)\u00ed(h)sti(h) V\u00edr(hg)gi(h)nis(hi) \u00fa(g)te(g)rum.(e) (::) Tu(e) de(gh)v\u00ed(h)cto(h) mor(h)tis(h) a(g)c\u00fa(h!iwj)le(ivHG)o,(h) (;) a(e)pe(gh)ru(h)\u00ed(h)sti(h) cre(h)d\u00e9n(i)ti(h)bus(h) re(hg)gna(h) coe(hi)l\u00f3(g)rum.(e) (::) Tu(e) ad(gh~) d\u00e9x(h)te(h)ram(h) De(h)i(g) se(h!iwj)des,(ih) (;) in(h) gl\u00f3(hg)ri(h)a(hi) Pa(g)tris.(e) (::) Ju(gh)dex(h) cr\u00e9(hi)de(h)ris(h) (;) es(hg)se(h) ven(hi)t\u00fa(g)rus.(e) (::) Te(e) er(gh~)go(h) qua\u00e9(h)su(h)mus,(h) (,) tu(h)is(h) f\u00e1(h)mu(h)lis(g) s\u00fab(h!iwj)ve(ivHG)ni,(h) (;) quos(e) pre(gh)ti(h)\u00f3(h)so(h) s\u00e1n(i)gui(h)ne(hg) re(h)de(hi)m\u00ed(g)sti.(e) (::) Ae(f)t\u00e9r(fe)na(df) fac(evDC) (;) cum(c) san(e)ctis(f) tu(g)is(g) in(g) gl\u00f3(g)ri(g)a(g) nu(h)me(f)r\u00e1(gvFE)ri.(e) (::) Sal(c)vum(df) fac(f) p\u00f3(f)pu(f)lum(f) tu(f)um(f) D\u00f3(d)mi(f)ne,(evDC) (;) et(c) b\u00e9(df)ne(f)dic(f) hae(f)re(fe)di(d)t\u00e1(f)ti(gh) tu(gvFE)ae.(e) (::) Et(f) re(fe)ge(d) e(f)os,(evDC) (;) et(c) ex(df)t\u00f3l(fe)le(d) il(g)los(g) (,) us(g)que(g) in(h) ae(f)t\u00e9r(gvFE)num.(e) (::) Per(e) s\u00edn(gh)gu(h)los(hg) di(h!iwj)es,(ih) (;) be(h)ne(hg)d\u00ed(h)ci(hi)mus(g) te.(e) (::) Et(e) lau(gh~)d\u00e1(h)mus(h) no(h)men(h) tu(h)um(h) in(g) sa\u00e9(h!iwj)cu(ivHG)lum,(h) (;) et(h) in(h) sa\u00e9(hg)cu(h)lum(hi) sa\u00e9(g)cu(g)li.(e) (::) Di(e)gn\u00e1(gh)re(h) D\u00f3(h)mi(h)ne(h) di(h)e(g) i(h!iwj)sto(ih) (;) si(e)ne(gh) pec(h)c\u00e1(h)to(h) nos(hg) cu(h)sto(hi)d\u00ed(g)re.(e) (::) Mi(e)se(gh)r\u00e9(h)re(h) no(h)stri(g) D\u00f3(h!iwj)mi(ivHG)ne,(h) (;) mi(h)se(hg)r\u00e9(h)re(hi) no(g)stri.(e) (::) Fi(e)at(gh) mi(h)se(h)ri(h)c\u00f3r(h)di(h)a(h) tu(h)a(h) D\u00f3(h)mi(h)ne(g) su(h!iwj)per(ivHG) nos,(h) (;) que(e)m\u00e1d(gh~)mo(h)dum(h) spe(h)r\u00e1(hg)vi(h)mus(hi) in(g) te.(e) (::) In(c) te(df) D\u00f3(fe)mi(d)ne(f) spe(gh)r\u00e1(gf/gf)vi:(ed) (;) non(c) con(df)f\u00fan(fe)dar(dc) in(f) ae(gh)t\u00e9r(gfgvFE)num.(e) (::)"„Tertius mysticus (Der Dritte ist mystisch)“
Der 3. Ton (Phrygisch) wird oft als mystisch, streng oder stürmisch beschrieben.
Mit diesem GABC Code kann der Choral z.B. mit GregorioTeX gerendert werden.