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Gregorianischer Choral
"(c4)\r\nDe(d) pro(gg)fun(h)dis(g) ex(j)cla(i)man(h)tes(g,)\r\nAu(h)di,(i) Chris(g)te,(e) nos(f)tras(e) vo(d)ces(g,)\r\nIn(h) c\u0153(i)les(h)ti(g) cu(f)ri(g)a.(g) (:)\r\n\r\n2. Pro(i) de(g)fun(h)ctis(g) fi(k)de(jvIHG)li(h)bus(i,)\r\nO(i)rat(h) ma(j)ter(g) nunc(e) o(f)mni(e)bus(d,)\r\nTe(h) sup(i)plex(h) Ec(g)cle(f)si(g)a.(g) (z0:c2)\r\n\r\n3. Fi(g)ant(f) er(g)go(gh) in(j)ten(i)den(hgh)tes(g,)\r\nUt(j) au(i)di(hg)ant(f) tu(g)\u00e6(h) au(geed)res(c,)\r\nVo(d)cis(ef) h\u00e6c(d) suf(c)fra(b)gi(c)a.(c) (:)\r\n\r\n4. Et(g) h\u00e6c(f) o(g)rat(gh) Rex(j) glo(i)ri(hgh)\u00e6(g,)\r\nFi(j)de(i)li(hg)bus(f) ut(g) ho(h)di(geed)e(c,)\r\nCon(d)ce(e)das(d) re(c)me(b)di(c)a.(c) (z0:c3)\r\n\r\n5. Pec(i)ca(h)to(i)res(h) quam(k)vis(j) su(i)mus(h,)\r\nSus(h)ti(i)ne(k)re(j) non(i) pos(h)si(i)mus(i,)\r\nSi(i) ob(g)ser(h)ves(fef~) vi(d)ti(e)a.(e) (:)\r\n\r\n6. Fi(i)at(h) ta(i)men(h) sa(k)lu(j)ta(i)ris(h,)\r\nQu\u00e6(h) of(i)fer(k)tur(j) nunc(i) a(h) no(i)bis(i,)\r\nPro(i) de(g)func(h)tis(fef~) hos(d)ti(e)a.(e) (:)\r\n\r\n7. Per(i) quam(h) Pa(gh)tri(gvFE) ob(h)tu(i)lis(j)ti(i,)\r\nOf(h)fe(i)ri(k)mus(j) et(i) nos(hg) i(h)psi(fe,)\r\nSit(h) e(i)is(e) pro(f)pi(g)ti(f)a.(e) (:)\r\n\r\n8. Pro(i)pi(h)ti(gh)us(gvFE) es(h)to(i) e(j)is(i,)\r\nSol(h)ve(i) vin(k)cla(j) Je(i)su(hg) re(h)is(fe,)\r\nIn(h) tu(i)a(e) po(f)ten(g)ti(f)a.(e) (z0:c2)\r\n\r\n9. Prop(f)ter(g) le(j)gem(ivHG) quam(j) de(i)di(hvGF)sti(g,)\r\nTe(h) sus(i)ti(j)nent(i) quos(h) fe(g)cis(gvFED)ti(e,)\r\nA(g)ver(e)te(f) sup(dcd)pli(b)ci(c)a.(c) (:)\r\n\r\n10. Te(f) sus(g)ti(j)nent,(ivHG) e(j)ru(i)an(hvGF)tur(g,)\r\nIn(h) te(i) spe(j)rant,(i) e(h)du(g)can(gvFED)tur(e,)\r\nAd(g) c\u0153(e)li(f) pa(dcd)la(b)ti(c)a.(c) (z0:c3)\r\n\r\n11. In(h) te(fe) cre(h)dunt,(i) in(l) te(k) spe(ji)rant(h,)\r\nAd(k) te(ih) ten(i)dunt(g) et(f) sus(f)pi(h)rant(i,)\r\nDe(e) f\u00e6(h)cis(f) mi(d)se(cb)ri(d)a.(e) (:)\r\n\r\n12. In(h) te(fe) di(h)e(i) in(l) te(k) noc(ji)te(h,)\r\nIn(k) te(ih) ma(i)ne(g) et(f) ves(e)pe(h)re(i,)\r\nSit(e) e(h)is(f) fi(d)du(cb)ci(d)a.(e) (:)\r\n\r\n13. Sit(i) a(i)pud(i) te(h) quem(i) ro(k)ga(jvIH)mus(i,)\r\nPro(i) qua(j) ti(h)bi(f) sup(h)pli(i)ca(h)mus(g,)\r\nPi(e)e(h)ta(f)tis(e) co(d)pi(e)a.(e) (:)\r\n\r\n14. Ut(i) re(i)di(i)mas(h) e(i)os,(k) Chri(jvIH)ste(i,)\r\nSup(i)plex(j) ro(h)gat(f) c\u0153(h)tus(i) is(h)te(g,)\r\nAb(e) om(h)ni(f) ne(e)qui(d)ti(e)a.(e) (:)\r\n\r\n15. Re(i)gi(h)na(i)rum(g) im(h)pe(fe)ra(d)trix(e,)\r\nTu(e)a(g) ro(i)get(i) te(ji) ge(hg)ni(h)trix(i,)\r\nFi(j)at(k) ho(l)rum(k) im(ji)pe(hg)ra(h)trix(i,)\r\nQu\u00e6(i) ro(j)ga(hgh)mus,(fe) Ma(d)ri(e)a.(e) (:)\r\n\r\n16. Bo(i)ne(h) Je(i)su(g) Rex(h) glo(fe)ri(d)\u00e6(e,)\r\nOm(e)nes(g) sanc(i)ti(i) pr\u00e6(ji)ci(hg)pu(h)e(i,)\r\nTe(j) ro(k)gan(l)tes(k) sint(ji) ho(hg)di(h)e(i,)\r\nPro(i) e(j)o(hgh)rum(fef) ve(d)ni(e)a.(e) (:)\r\n\r\n17. Qui(e) per(gf) cru(g)cem(e) ex(g)al(h)ta(ij)tus(i,)\r\nPec(j)ca(k)to(j)rum(i) es(ji) mi(hg)ser(h)tus(i,)\r\nAu(e)di(g) Chris(i)te(i) quod(ji) de(hg)vo(h)tus(i,)\r\nAd(j) te(k) cla(j)mat(h) nos(i)ter(j) c\u0153(iggf)tus(e,)\r\nCum(f) mi(gh)se(f)ri(e)cor(d)di(e)a.(e) (:)\r\n\r\n18. Per(e) te(gf) vin(g)cla(e) con(g)fri(h)gan(ij~)tur(i,)\r\nPor(j)t\u00e6(k) mor(j)tis(i) des(ji)tru(hg)an(h)tur(i,)\r\nDi(e)a(g)bo(i)li(i) con(ji)fun(hg~)dan(h)tur(i,)\r\nEt(j) a(k)ni(j)m\u00e6(h) con(i)se(j)quan(iggf~)tur(e,)\r\nSem(d)pi(f)ter(hhijvIHi)na(fef) gau(d)di(e)a.(e) (:)\r\nA(ighvGFEDf)men.(e) (::)\r\n"„Septimus angelicus (Der Siebte ist engelhaft)“
Der 7. Ton (Mixolydisch) gilt als engelhaft, jugendlich und strahlend.
Mit diesem GABC Code kann der Choral z.B. mit GregorioTeX gerendert werden.