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Gregorianischer Choral
"(cb3)Chri(d)ste,(f) vi(h)vens(h) h\u00f3(ih)sti(g)a,(h.) (:) Sa(i)cra(j)m\u00e9n(k)ti(h) gr\u00e1(hg)ti(f)a(e.) (:) Das(f) tu(h)am(d) pr\u00e6(e)s\u00e9n(fe)ti(d)am.(d.) \r\n2.(::) De(d)us(f) a(h)man(h)t\u00eds(ih)si(g)me,(h.) (:) Ma(i)la(j) no(k)stra(h) d\u00e9(hg)pri(f)me(e.) (:) Et(f) af(h)f\u00e9(d)ctus(e) \u00edm(fe)pri(d)me.(d.) \r\n3.(::) Be(h)ne(i)d\u00ed(k)cant(k) \u00f3m(ji)ni(j)a(k.) (:) No(h)stra(h) te(i) pr\u00e6(h)c\u00f3r(hg)di(f)a,(e.) (:) In(f)ti(d)mis(g) vi(f)sc\u00e9(e)ri(d)bus.(d.) \r\n4.(::) Sal(h)ve(i) sa(k)lu(k)b\u00e9(ji)ri(j)ma,(k.) (:) Sal(h)ve(h) lux(i) pul(h)ch\u00e9r(hg)ri(f)ma(e.) (:) To(f)ta(d) no(g)bis(f) lu(e)ce(d)as.(d.) \r\n5.(::) Ho(f)stem(f) do(gf)na(e) v\u00edn(fe)ce(d)re,(d.) (:) Va(h)ni(h)t\u00e1(ih)tem(g) sp\u00e9r(hg)ne(f)re,(e.) (:) Et(f) quod(h) do(i)ces(h) cr\u00e9(f)de(g)re.(h.) \r\n6.(::) Om(f)nem(f) fu(gf)ga(e) m\u00e1(fe)cu(d)lam,(d.) (:) Cor(h)dis(h) no(ih)stri(g) n\u00e9(hg)bu(f)lam(e.) (:) Au(f)fer(h) Chri(i)ste(h) \u00f3p(f)ti(g)me.(h.) \r\n7.(::)Fac(d) nos(e) te(f)cum(d) v\u00ed(f)ve(g)re,(h.) (:) A(e)pud(f) te(g) qui(e)\u00e9(g)sce(h)re(i.) (:) Et(k) te(i) tan(j)dem(k) c\u00e9r(i)ne(h)re.(h.) \r\n8.(::) Cor(d)pus(e) tu(f)um(d) n\u00f3(f)bi(g)le,(h.) (:) Cu(e)i(f) ni(g)hil(e) s\u00ed(g)mi(h)le,(i.) (:) Pan(k)dat(i) no(j)bis(k) p\u00e1(i)tri(h)am.(h.) \r\n9.(::) I(k)bi(k) su(h)per(i) \u01fd(h)the(g)ra(f.) (:) Pa(i)tris(i) es(g) in(h) d\u00e9x(g)te(f)ra,(e.) (:) Pa(f)tri(h) mon(d)stras(e) v\u00fal(fe)ne(d)ra.(d.) \r\n10.(::) Sal(k)va(k) nos(h) et(i) r\u00e9(h)di(g)me,(f.) (:) G\u00e9(i)ni(i)tor(g) pi(h)\u00eds(g)si(f)me,(e.) (:) Quos(f) tu(h) a(d)mas(e) \u00edn(fe)ti(d)me.(d.) (::) \r\nA(ded)men.(cd..) (::)"Mit diesem GABC Code kann der Choral z.B. mit GregorioTeX gerendert werden.
„Sextus devotus (Der Sechste ist fromm)“
Der 6. Ton (Hypolydisch) ist zart, fromm und oft kindlich-lieblich.