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Gregorianischer Choral
"(c3) Ve(i)n\u00ed(i/jki)te,(h) (;) ex(g)ul(h)t\u00e9(i)mus(i) D\u00f3(i)mi(h)no,(h) (:)\r\nju(g)bi(h)l\u00e9(i)mus(i) De(i)o(i) sa(h)lu(g)t\u00e1(h)ri(i) nos(ivHG)tro:(h) (:)\r\npr\u00e6(h)oc(g)cu(f)p\u00e9(g)mus(h) f\u00e1(i)ci(i)em(h) e(i)jus(h) (;)\r\nin(h) con(g)fes(h)si(i)\u00f3(ij)ne,(ji) (:)\r\net(hg) in(hi) psal(ij)mis(i) (;)\r\nju(i)bi(iih)l\u00e9(hg)mus(ij) e(hi)i.(ivHGhvGFEfe) (::Z)\r\n\r\nQu\u00f3n(i/jki)i(h)am(h) De(g)us(h) ma(i)gnus(i) D\u00f3(i)mi(h)nus,(h) (:)\r\net(g) Rex(h) ma(i)gnus(i) su(h)per(g) om(h)nes(i) de(ivHG)os:(g) (:)\r\nqu\u00f3n(h)i(g)am(f) non(g) re(h)p\u00e9l(i)let(i) d\u00f3(i)mi(i)nus(i) ple(i)bem(h) su(i)am,(h) (:)\r\nqui(g)a(h) in(i) ma(i)nu(i) e(i)jus(h) (;)\r\nsunt(i) om(h)nes(g) fi(h)nes(i) ter(ij)r\u00e6,(ji) (:)\r\net(hg) al(hi)ti(i)t\u00fa(i)di(i)nes(i) m\u00f3n(ij)ti(i)um(i) (;)\r\nip(iih)se(hg) c\u00f3n(ij)spi(hi)cit.(ivHGhvGFEfe) (::Z)\r\n\r\nQu\u00f3n(i/jki)i(h)am(h) ip(g)s\u00ed(h)us(i) est(i) ma(i)re,(i) (:)\r\net(i) ip(i)se(i) fe(i)cit(h) \u00edl(i)lud,(h) (:)\r\net(g) \u00e1(h)ri(i)dam(i) fun(i)da(i)v\u00e9(h)runt(g) ma(h)nus(i) e(ivHG)jus:(h) (:)\r\nve(h)n\u00ed(g)te(f) ad(g)o(h)r\u00e9(i)mus,(i) (;)\r\net(i) pro(i)ci(i)d\u00e1(i)mus(i) an(i)te(h) De(i)um:(h) (:)\r\nplo(g)r\u00e9(h)mus(i) co(i)ram(i) D\u00f3(i)mi(i)no,(i) qui(h) fe(i)cit(h) nos,(h) (:)\r\nqui(g)a(h) ip(i)se(i) est(i) D\u00f3(i)mi(h)nus(g) De(h)us(i) nos(ij)ter:(ji) (:)\r\nnos(hg) au(hi)tem(i) p\u00f3(i)pu(i)lus(i) e(ij)jus,(i) (;)\r\net(i) o(ij)ves(i) p\u00e1s(iih)cu(hg)\u00e6(ij) e(hi)jus.(ivHGhvGFEfe) (::Z)\r\n\r\nH\u00f3(i/jki)di(h)e(h) (;) si(g) vo(h)cem(i) e(i)jus(i) au(i)di(h)\u00e9(i)ri(h)tis,(h) (:)\r\nno(g)l\u00ed(h)te(i) ob(i)du(i)r\u00e1(h)re(g) cor(h)da(i) ves(ivHG)tra,(h) (:)\r\nsic(h)ut(g) in(f) ex(g)a(h)cer(i)ba(i)ti(i)\u00f3(i)ne(i) (;)\r\nse(i)c\u00fan(i)dum(h) di(i)em(h) ten(g)ta(h)ti(i)\u00f3(i)nis(i) in(i) de(h)s\u00e9r(i)to:(h) (:)\r\nu(g)bi(h) ten(i)ta(i)v\u00e9(i)runt(h) me(g) pa(h)tres(i) ves(ij)tri,(ji) (:)\r\npro(hg)ba(hi)v\u00e9(i)runt,(i) et(i) vi(i)d\u00e9(ij)runt(i) (;)\r\n\u00f3(iih)pe(hg)ra(ij) me(hi)a.(ivHGhvGFEfe) (::Z)\r\n\r\nQua(i)dra(i)g\u00edn(i/jki)ta(h) an(g)nis(h) (;)\r\npr\u00f3(i)xi(i)mus(h) fu(i)i(h) ge(g)ne(h)ra(i)ti(i)\u00f3(i)ni(i) hu(h)ic,(i) (:)\r\net(g) di(h)xi:(i) (;)\r\nSem(i)per(h) hi(g) er(h)rant(i) cor(ivHG)de:(h) (:)\r\nip(h)si(g) ve(f)ro(g) non(h) co(i)gno(i)v\u00e9(i)runt(i) vi(i)as(h) me(i)as,(h) (:)\r\nqui(g)bus(h) ju(i)r\u00e1(i)vi(h) in(g) i(h)ra(i) me(ij)a,(ji) (:)\r\nsi(hg) in(hi)tro(i)\u00ed(ij)bunt(i) (;) in(i) r\u00e9(iih)qui(hg)em(ij) me(hi)am.(ivHGhvGFEfe) (::Z)\r\n\r\nGl\u00f3(i/jki)ri(h)a(h) (;) Pa(g)tri,(h) et(i) F\u00ed(i)li(h)o,(h) (;)\r\net(i) Spi(h)r\u00ed(g)tu(h)i(i) Sanc(ivHG)to.(h) (:)\r\nSic(h)ut(g) e(f)rat(g) in(h) prin(i)c\u00ed(i)pi(h)o,(h) (;)\r\net(g) nunc,(h) et(i) sem(ij)per:(ji) (:)\r\net(hg) in(hi) s\u00e6(ij)cu(i)la(i) s\u00e6(i)cu(iih)l\u00f3(hg)rum.(ij) A(hi)men.(ivHGhvGFEfe) (::)\r\n"„Septimus angelicus (Der Siebte ist engelhaft)“
Der 7. Ton (Mixolydisch) gilt als engelhaft, jugendlich und strahlend.
Mit diesem GABC Code kann der Choral z.B. mit GregorioTeX gerendert werden.