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Gregorianischer Choral
"(cb3)Je(d)r\u00fa(d')sa(e)lem(f'_) et(h) Si(i')on(h) f\u00ed(f')li(g)\u00e6,(h.) (;)\r\nC\u0153(i)tus(k') om(j)nis(i'_) fi(h)d\u00e9(i')lis(j) c\u00fa(i')ri(h)\u00e6,(h.) (;)\r\nMe(h)los(e') pan(f)gant(g'_) ju(h)gis(i') l\u00e6(h)t\u00ed(g')ti(f)\u00e6.(e.) (,)\r\nAl(d)le(g)l\u00fa(fe)ia.(d.) \r\n2.(::)\r\n\r\nChri(d)stus(d') e(e)nim(f'_) nor(h)ma(i') ju(h)st\u00ed(f')ti(g)\u00e6(h.) (;)\r\nMa(i)trem(k') no(j)stram(i'_) de(h)sp\u00f3n(i')sat(j) h\u00f3(i')di(h)e,(h.) (;)\r\nQuam(h) de(e') la(f)cu(g'_) tra(h)xit(i') mi(h)s\u00e9(g')ri(f)\u00e6(e.) (,)\r\nEc(d)cl\u00e9(g)si(fe)am.(d.) (::)\r\nHanc(d) s\u00e1n(ed)gui(c)nis(d'_) et(e) a(fd)qu\u00e6(g) m\u00fa(f')ne(e)re,(d.) (;)\r\nDum(f) p\u00e9n(h')de(i)ret(f'_) in(g) cru(f')cis(e) \u00e1r(f')bo(g)re,(h.) (;)\r\nDe(d) pr\u00f3(e')pri(d)o(c'_) pro(d)d\u00fa(e')xit(g) l\u00e1(e')te(f)re(g'_) (,)\r\nDe(h)us(d') ho(e)mo.(d.) \r\n4.(::)\r\n\r\nFor(d)ma(ed)r\u00e9(c)tur(d'_) ut(e) sic(fd) Ec(g)cl\u00e9(f')si(e)a,(d.) (;)\r\nFi(f)gu(h')r\u00e1(i)tur(f'_) in(g) pri(f')ma(e) f\u00e9(f')mi(g)na,(h.) (;)\r\nQu\u00e6(d) de(e') co(d)stis(c'_) A(d)d\u00e6(e') est(g) \u00e9(e')di(f)ta(g'_) (,)\r\nMa(h)ter(d') E(e)va.(d.) (::)\r\nE(f)va(h) fu(gf)it(e'_) no(g)v\u00e9r(f')ca(e) p\u00f3(d')ste(e)ris;(f.) (;)\r\nH\u00e6c(d) est(f') ma(h)ter(h'_) e(i)l\u00e9(j')cti(h) g\u00e9(gyg')ne(h)ris,(h.) (;)\r\nVi(k)t\u00e6(i') por(j)tus,(h'_) a(i)s\u00fd(k')lum(g) m\u00ed(f')se(e)ris,(i.) (,)\r\nEt(h) tu(f)t\u00e9(g.)la.(h.) \r\n6.(::)\r\n\r\nH\u00e6c(f) est(h) cym(gf)ba(e'_) qua(g) tu(f')ti(e) v\u00e9(d')hi(e)mur;(f.) (;)\r\nHoc(d) o(f')v\u00ed(h)le(h'_) quo(i) te(j')cti(h) c\u00f3n(gyg')di(h)mur;(h.) (;)\r\nH\u00e6c(k) co(i')l\u00fam(j)na,(h'_) qua(i) fir(k')mi(g) n\u00ed(f')ti(e)mur(i.) (,)\r\nVe(h)ri(f)t\u00e1(g.)tis.(h.) (::)\r\nO(k) so(h')l\u00e9m(i)nis(f'_) fe(i)stum(h') l\u00e6(g)t\u00ed(f')ti(e)\u00e6,(f.) (;)\r\nQuo(k) u(j')n\u00ed(k)tur(i'_) Chri(j)stus(k') Ec(j)cl\u00e9(i')si(h)\u00e6,(h.) (;)\r\nIn(e) quo(e') no(f)str\u00e6(g'_) sa(f)l\u00fa(g)tis(f') n\u00fap(e)ti(d')\u00e6(h.) (,)\r\nCe(i)le(k)br\u00e1n(j.)tur.(k.) \r\n8.(::)\r\n\r\nJu(k)stis(h') in(i)de(f'_) sol(i)v\u00fan(h')tur(g) pr\u01fd(f')mi(e)a,(f.) (;)\r\nLa(k)psis(j') au(k)tem(i'_) do(j)n\u00e1(k')tur(j) v\u00e9(i')ni(h)a,(h.) (;)\r\nEt(e) san(e')ct\u00f3(f)rum(g'_) au(f)g\u00e9n(g)tur(f') g\u00e1u(e)di(d')a(h.) (,)\r\nAn(i)ge(k)l\u00f3(j.)rum.(k.) (::)\r\nAb(d) \u00e6(d')t\u00e9r(f)no(e'_) fons(g) sa(g')pi(f)\u00e9n(e')ti(d)\u00e6,(d.) (;)\r\nIn(k)t\u00fa(k)i(ji)tu(h'_) so(f)l\u00ed(e')us(d) gr\u00e1(e')ti(f)\u00e6,(f.) (;)\r\nSic(h) pr\u00e6(i')v\u00ed(g)dit(h'_) in(g) re(f')rum(e) s\u00e9(f')ri(g)e(h.) (,)\r\nH\u00e6c(d) fu(g)t\u00fa(fe)ra.(d.) \r\n10.(::)\r\n\r\nChri(d)stus(d') jun(f)gens(e'_) nos(g) su(g')is(f) n\u00fap(e')ti(d)is,(d.) (;)\r\nRe(k)cr\u00e9(k)a(ji)tos(h'_) ve(f)ris(e') de(d)l\u00ed(e')ci(f)is,(f.) (;)\r\nIn(h)te(i')r\u00e9s(g)se(h'_) f\u00e1(g)ci(f')at(e) g\u00e1u(f')di(g)is(h.) (,)\r\nE(d)le(g)ct\u00f3(fe)rum.(d.) (::) A(ded)men.(c.d.) (::)\r\n"„Quintus laetus (Der Fünfte ist fröhlich)“
Der 5. Ton (Lydisch) steht traditionell für Freude, Trost und Zuversicht.
Mit diesem GABC Code kann der Choral z.B. mit GregorioTeX gerendert werden.