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Gregorianischer Choral
"(f3)Quam(c) pul(f')chre(e) gr\u00e1(f')di(g)tur(h.) (,) f\u00ed(f'i)li(h')a(g) pr\u00edn(f')ci(e)pis,(e'f.) (;)\r\nTem(f)pli(j') cum(j) pr\u00f3(i')pe(h)rat(g.) (,) l\u00ed(i)mi(f')na(g) t\u00e1n(h')ge(i)re(ij.) !(:)\r\nPr\u00e6(g')l\u00fa(i)dit(h'g) me(f')li(g)\u00f3(ff)ri(e.) (,)\r\nQuam(g) mox(i') \u00f3f(j)fe(h')ret(g) h\u00f3(f')sti(e)am.(e'f.) \r\n2.(::) E(c) ma(f')tris(e) gr\u00e9(f')mi(g)o,(h.) (,) N\u00fa(f'i)mi(h')nis(g) in(f') si(e)num(e'f.) (;)\r\nIn(f)fans(j') non(j) d\u00fa(i')bi(h)is(g.) (,) p\u00e1s(i)si(f')bus(g) \u00e1d(h')vo(i)lat;(ij.) (:)\r\nVir(g')go(i) N\u00fa(h'g)mi(f')nis(g) a(ff)ra,(e.) (,)\r\nA(g)ris(i') v\u00ed(j)cti(h')ma(g) s\u00ed(f')sti(e)tur.(e'f.) \r\n3.(::) Spon(c)so(f') mem(e)bra(f') De(g)o(h.) (,) m\u00f3l(f'i)li(h')a(g) d\u00e9(f')vo(e)vet;(e'f.) (;)\r\nCor(f)dis(j') Vir(j)g\u00ed(i')ne(h)i(g.) (,) d\u00e9(i)di(f')cat(g) \u00edn(h')ti(i)ma(ij.) (:)\r\nVer(g')bo(i) d\u00e9(h'g)bi(f')ta(g) Ma(ff)ter,(e.) (,)\r\nVer(g)bo(i') v\u00ed(j)sce(h')ra(g) c\u00f3n(f')se(e)crat.(e'f.) \r\n4.(::) Te(c)cum(f') cun(e)cta(f') De(g)o(h.) (,) pr\u00f3(f'i)di(h')ga(g) dum(f') vo(e)ves,(e'f.) (;)\r\nNu(f)men,(j') Vir(j)go(i') fu(h)i(g.) (,) p\u00e9(i)cto(f')ris(g) \u00edn(h')co(i)la,(ij.) (:)\r\nQuan(g')to(i) f\u0153\u0301(h'g)no(f')re(g) pen(ff)sat(e.) (,)\r\nTer(g)ras(i') qua(j) bo(h')na(g) d\u00e9(f')spi(e)cis(e'f.) !\r\n5.(::) Quid(c) nos(f') il(e)la(f') que(g)ant(h.) (,) \u00edm(f'i)pro(h')ba(g) g\u00e1u(f')di(e)a?(e'f.) (;)\r\nCur(f) nos(j') jam(j) p\u00ed(i')ge(h)at(g.) (,) v\u00edn(i)cu(f')la(g) r\u00fam(h')pe(i)re?(ij.) (:)\r\nDux(g') est(i) Vir(h'g)go(f') sa(g)c\u00e9r(ff)dos:(e.) (,)\r\nFas(g) sit(i') quo(j) pr\u00f3(h')pe(g)rat(f') se(e)qui(e'f.) !\r\n6.(::) Er(c)go(f') nunc(e) tu(f')a(g) gens(h.) (,) se(f'i) ti(h')bi(g) c\u00f3n(f')se(e)crat;(e'f.) (;)\r\nEr(f)go(j') no(j)stra(i') ma(h)nes(g.) (,) p\u00f3r(i)ti(f')o(g) tu(h') De(i)us,(ij.) (:)\r\nQui(g') de(i) V\u00edr(h'g)gi(f')ne(g) na(ff)tus,(e.) (,)\r\nPer(g) nos(i') sa(j)pe(h') re(g)n\u00e1(f')sce(e)ris.(e'f.) \r\n7.(::) Sit(c) laus(f') sum(e)ma(f') Pa(g)tri,(h.) (,) sum(f'i)m\u00e1(h')que(g) F\u00ed(f')li(e)o;(e'f.) (;)\r\nSit(f) par,(j') san(j)cte,(i') ti(h)bi(g.) (,) gl\u00f3(i)ri(f')a,(g) Sp\u00ed(h')ri(i)tus(ij.) !(:)\r\nSi(g') nos(i) in(h'g)tus(f') a(g)d\u00fa(ff)ris,(e.) (,)\r\nPu(g)ro(i') cor(j)de(h') li(g)t\u00e1(f')bi(e)mur.(e'f.) (::)\r\nA(fgf)men.(ef..) (::)\r\n"„Secundus tristis (Der Zweite ist traurig)“
Der 2. Ton (Hypodorisch) hat oft einen ruhigen, traurigen und demütigen Charakter.
Mit diesem GABC Code kann der Choral z.B. mit GregorioTeX gerendert werden.