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Gregorianischer Choral
"(c3)\u01af\u1edbc(ii) g\u00ec(g) Danh(h) Ch\u00faa(ij) ch\u00ed(i) t\u00f4n,(h.) <v>\\greheightstar</v>(,) r\u1ee1(hg) r\u00e0ng(f) c\u1ea3(g_[uh:l]h) s\u00e1ng(ih) vang(f) l\u1eebng(e) \u0111\u1eddi(e) \u0111\u1eddi.(e.) (::Z)\r\n1. H\u1ee1i(hg) c\u00e1c(hi) tr\u1ebb,(k) bay(j) h\u00e3y(j) ng\u01b0\u1ee3i(i) khen(j) Ch\u00faa,(j.) <v>\\greheightstar</v>(:) ca(i) t\u1ee5ng(h) danh(h) Ng\u01b0\u1eddi.(g.h.) (::)\r\n2. Ch\u1edb(i) g\u00ec(h) danh(i) Ch\u00faa(k) ch\u1ecbu(j) ng\u01b0\u1ee3i(i) khen,(j.) <v>\\greheightstar</v>(:) t\u1eeb(i) r\u1ea7y(i) cho(i) \u0111\u1ebfn(j) \u0111\u1eddi(h) \u0111\u1eddi.(g.h.) (::)\r\n3. T\u1eeb(h) n\u01a1i(i) m\u1eb7t(h) l\u1eddi(h) m\u1ecdc(h) l\u00ean(i) \u0111\u1ebfn(k) n\u01a1i(j) l\u1eb7n(i) xu\u1ed1ng(j.:) <v>\\greheightstar</v>() danh(i) Ch\u00faa(j) \u0111\u00e1ng(i) ng\u01b0\u1ee3i(gh) khen.(h.) (::)\r\n4. Ch\u00faa(i) cao(i) c\u1ea3(k) tr\u00ean(j) m\u1ecdi(i) d\u00e2n,(j.) <v>\\greheightstar</v>(:) vinh(i) hi\u1ec3n(j) Ch\u00faa(j) tr\u00ean(i) c\u00e1c(i) t\u1ea7ng(h) tr\u1eddi.(g.h.) (::)\r\n5. Ai(i) nh\u01b0(i) \u0110\u1ee9c(i) Ch\u00faa(i) Tr\u1eddi(h.,) l\u00e0(i) Ch\u00faa(k) ch\u00fang(k) ta,(j) ng\u1ef1(i) tr\u00ean(j) cao,(j.) <v>\\greheightstar</v>(:) \u0110o\u00e1i(j) xem(i) nh\u1eefng(j) s\u1ef1(i) h\u00e8n(h) m\u1ecdn(h) d\u01b0\u1edbi(i) \u0111\u1ea5t(j) tr\u00ean(h) tr\u1eddi?(gh..) (::)\r\n6. N\u00e2ng(i) k\u1ebb(k) h\u00e8n(i) h\u1ea1(i) cho(j) kh\u1ecfi(i) \u0111\u1ea5t,(j.) <v>\\greheightstar</v>(:) r\u01b0\u1edbc(i) k\u1ebb(i) kh\u00f3(j) kh\u0103n(i) kh\u1ecfi(h) lo(h) phi\u1ec1n:(gh..) (::) \r\n7. \u0110\u1ec3(i) n\u00f3(i) ng\u1ed3i(h) vu\u1edbi(k) c\u00e1c(j) quan(i) cai,(j.) <v>\\greheightstar</v>(:) vu\u1edbi(i) c\u00e1c(j) quan(i) cai(i) d\u00e2n(i) Ng\u01b0\u1eddi.(gh) (::)\r\n8. Cho(i) k\u1ebb(i) son(i) l\u00e1nh(k) \u1edf(j) trong(i) m\u00e1i(j) \u1ea5m(j.) <v>\\greheightstar</v>(:) \u0111\u01b0\u1ee3c(i) l\u00e0m(i) m\u1eb9(i) s\u01b0\u1edbng(j) vui(i) con(h) nhi\u1ec1u.(gh..) (::)\r\n9. S\u00e1ng(j) danh(i) \u0110\u1ee9c(k) Ch\u00faa(k) Cha,(j.,) v\u00e0(i) \u0110\u1ee9c(j) Ch\u00faa(k) Con,(j.) <v>\\greheightstar</v>(:) v\u00e0(i) \u0110\u1ee9c(j) Ch\u00faa(i) Th\u00e1nh(h) Th\u1ea7n.(g.h.::)\r\n10. Nh\u01b0(i) \u0111\u00e3(i) c\u00f3(i) tr\u01b0\u1edbc(i) v\u00f4(i) c\u00f9ng,(h.) (,) v\u00e0(i) b\u00e2y(k) gi\u1edd,(j) v\u00e0(j) h\u1eb1ng(i) c\u00f3,(j.) <v>\\greheightstar</v>(:) v\u00e0(i) \u0111\u1eddi(i) \u0111\u1eddi(i) ch\u1eb3ng(j) c\u00f9ng.(i) A-(h)men.(gh..) (::)\r\n"„Septimus angelicus (Der Siebte ist engelhaft)“
Der 7. Ton (Mixolydisch) gilt als engelhaft, jugendlich und strahlend.
Mit diesem GABC Code kann der Choral z.B. mit GregorioTeX gerendert werden.