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Gregorianischer Choral
"(c4) O(j) Ma(ji)r\u00ed(j)a,(g_) vi(h)t\u00e6(hg) vi(h)a,(e.) (;) Ple(h)na(g) De(f)i(d) gr\u00e1(de)ti(f)a,(g.) (:) In(e)ter(ed) De(f)um(e_) Et(d) hunc(dc) re(e)um(d.) (;) Pre(b)cor(c) ut(d) sis(d) me(bd)di(d)a.(c.) (::)\r\n 1.()\r\nFun(c)de(cd) pre(e)cem,(e_) Ne(d) in(de) ne(f)cem(f.) (;) D\u00e9(e)ci(f)dam(g) per(g)p\u00e9(df)tu(f)am:(e.) (:) Ut(g) sim(gh) ca(i)stus,(i_) At(h)que(hi) fa(j)stus(j.) (;) Hu(i)jus(j) mun(k)di(k) r\u00e9(hi)spu(h)am.(g.) <sp>R/</sp>.(::) O(j) Ma(ji)r\u00ed(j)a.(g_) \r\n2.(::) Il(c)le(cd) du(e)ctor(e_)\r\nEt(d) in(de)str\u00fa(f)ctor(f.) (;)\r\nAd(e)sit(f) mi(g)hi(g) Sp\u00ed(df)ri(f)tus,(e.) (:)\r\nQui(g) te(gh) mun(i)dam(i_)\r\nEt(h) fe(hi)c\u00fan(j)dam(j.) (;)\r\nFe(i)cit(j) es(k)se(k) c\u00e6(hi)li(h)tus.(g.) \r\n<sp>R/</sp>.(::) O(j) Ma(ji)r\u00ed(j)a.(g_) \r\n\r\n3.(::) Il(c)la,(cd) in(e)quam,(e_)\r\nNe(d) de(de)l\u00edn(f)quam,(f.) (;)\r\nMe(e) con(f)s\u00e9r(g)vet(g) gr\u00e1(df)ti(f)a,(e.) (:)\r\nQua(g) re(gh)pl\u00e9(i)vit(i_)\r\nTe(h) qui(hi) fle(j)vit(j.) (;)\r\nIn(i)ter(j) tu(k)a(k) br\u00e1(hi)chi(h)a.(g.) \r\n<sp>R/</sp>.(::) O(j) Ma(ji)r\u00ed(j)a.(g_) \r\n\r\n4.(::) Or(c)bis(cd) re(e)ctor,(e_)\r\nEt(d) pro(de)t\u00e9(f)ctor(f.) (;)\r\nNo(e)ster(f) cle(g)men(g)t\u00eds(df)si(f)me,(e.) (:)\r\nNos(g) in(gh)v\u00ed(i)se,(i_)\r\nUt(h) e(hi)l\u00ed(j)s\u00e6(j.) (;)\r\nCon(i)va(j)l\u00e9(k)scant(k) \u00e1(hi)ni(h)m\u00e6.(g.) \r\n<sp>R/</sp>.(::) O(j) Ma(ji)r\u00ed(j)a.(g_) \r\n\r\n5.(::) Lu(c)men(cd) spar(e)ge(e_)\r\nTu(d)\u00e6(de) lar(f)g\u00e6(f.) (;)\r\nSu(e)per(f) nos(g) cle(g)m\u00e9n(df)ti(f)\u00e6:(e.) (:)\r\nAt(g)que(gh) m\u00e6(i)stis(i_)\r\nDa(h) c\u00e6(hi)l\u00e9(j)stis(j.) (;)\r\nSo(i)l\u00e1(j)men(k) l\u00e6(k)t\u00ed(hi)ti(h)\u00e6.(g.) \r\n<sp>R/</sp>.(::) O(j) Ma(ji)r\u00ed(j)a.(g_) \r\n\r\n6.(::) De(c)i(cd) Fi(e)li,(e_)\r\nEx(d) ho(de)st\u00ed(f)li(f.) (;)\r\nSer(e)va(f) me(g) fal(g)l\u00e1(df)ci(f)a:(e.) (:)\r\nDa(g) ut(gh) fi(i)am,(i_)\r\nPer(h) Ma(hi)r\u00ed(j)am,(j.) (;)\r\nTu(i)a(j) di(k)gnus(k) gr\u00e1(hi)ti(h)a.(g.) \r\n<sp>R/</sp>.(::) O(j) Ma(ji)r\u00ed(j)a.(g_) \r\n\r\n7.(::) Ob(c) a(cd)m\u00f3(e)rem(e_)\r\nEt(d) ho(de)n\u00f3(f)rem(f.) (;)\r\nMa(e)tris(f) tu(g)\u00e6(g) tr\u00ed(df)bu(f)e,(e.) (:)\r\nUt(g) cum(gh) bo(i)nis(i_)\r\nFru(h)ar(hi) do(j)nis(j.) (;)\r\nQui(i)\u00e9(j)tis(k) per(k)p\u00e9(hi)tu(h)\u00e6.(g.) \r\n<sp>R/</sp>.(::) O(j) Ma(ji)r\u00ed(j)a.(g_) \r\n\r\n8.(::) Te(c) ro(cd)g\u00e1(e)mus,(e_)\r\nEt(d) lau(de)d\u00e1(f)mus,(f.) (;)\r\nPer(e) i(f)ps\u00ed(g)us(g) m\u00e9(df)ri(f)tum,(e.) (:)\r\nUt(g) \u00e6(gh)t\u00e9r(i)ni(i_)\r\nNo(h)bis(hi) re(j)gni(j.) (;)\r\nCle(i)mens(j) pan(k)das(k) \u00e1(hi)di(h)tum.(g.) \r\n<sp>R/</sp>.(::) O(j) Ma(ji)r\u00ed(j)a.(g_) (::)\r\n"„Quintus laetus (Der Fünfte ist fröhlich)“
Der 5. Ton (Lydisch) steht traditionell für Freude, Trost und Zuversicht.
Mit diesem GABC Code kann der Choral z.B. mit GregorioTeX gerendert werden.