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Gregorianischer Choral
"(c4)Cor(c) a(d)m\u00e1n(f)dum(e) Sal(d)va(ed)t\u00f3(c)ris,(d.) (;)\r\nMe(f)lis(g) fon(f)tem(e) et(fg) a(g)m\u00f3(ixivHG)ris,(h.) (;)\r\nCor(f)da(g) cun(fvED)cta(c) d\u00ed(dewf)li(e)gant.(d.) \r\n2.(::) Cor(c) be(d)\u00e1(f)tum(e) sum(d)mi(ed) re(c)gis,(d.) (;)\r\nCor(f) et(g) vi(f)tam(e) no(fg)vi(g) le(ixivHG)gis(h.) (;)\r\nOm(f)nes(g) lin(fvED)gu\u00e6(c) c\u00f3n(dewf)ci(e)nant.(d.) \r\n3.(::) Sit(f) laus(g) ple(hg)na,(f) sit(h) im(ixij)m\u00e9n(ig)sa,(h.) (;)\r\nSit(h) pe(ixi)r\u00e9n(hg)nis,(f) sit(gh) ac(g)c\u00e9n(fvED)sa(c.) (;)\r\nAr(c)d\u00f3(d)ri(f)bus(g) p\u00e9(fvED)cto(c)ris.(d.) \r\n4.(::) Lau(f)det,(g) ca(hg)nat(f) or(h)bis(ixij) to(ig)tus,(h.) (;)\r\nCo(h)lat,(ixi) a(hg)met(f) to(gh)ta(g) vir(fvED)tus(c.) (;)\r\nEt(c) cor(d)dis(f) et(g) c\u00f3r(fvED)po(c)ris.(d.) \r\n5.(::) O(k)ra,(k) ma(j)nus,(k) sen(h)sus,(ixih) vi(g)gor,(h.) (;)\r\nFi(h)des(g) vi(f)va,(e) pa(f)rus(gf) a(e)mor(d.) (;)\r\nCor(e) di(f)v\u00ed(gf)num(e) c\u00f3n(g)so(g)nent.(h.) \r\n6.(::) Flam(k)mis(k) sa(j)cris(k) in(h)flam(ixih)m\u00e1(g)ta,(h.) (;)\r\nCor(h)da,(g) vo(f)ces(e) at(f)que(gf) fa(e)cta(d.) (;)\r\nCor(e) a(f)m\u00f3(gf)ris(e) pr\u00e6(g)d\u00ed(g)cent.(h.) \r\n7.(::) Cor(h) mi(i)r\u00e1n(jvIH)dum(g) Re(j)dem(i)pt\u00f3(j)ris(h.) (;)\r\nCo(h)a(ixi)d\u00fa(h)nans(g) ter(h)ram(fe) c\u00e6(d)lis,(c.) (;)\r\nNo(f)stra(g) re(h)ge(g) p\u00e9(fvED)cto(c)ra.(d.) \r\n8.(::) Fons(h) \u00e6(i)t\u00e9r(jvIH)na(g) pi(j)e(i)t\u00e1(j)tis,(h.) (;)\r\nAr(h)dens(ixi) for(h)nax(g) ca(h)ri(fe)t\u00e1(d)tis,(c.) (;)\r\nCor(f)da(g) flam(h)mis(g) d\u00e9(fvED)vo(c)ra.(d.) (::)\r\nA(ded)men.(cd..) (::)\r\n"„Primus gravis (Der Erste ist ernst)“
Der 1. Ton (Dorisch) gilt traditionell als ernst, erhaben und majestätisch.
Mit diesem GABC Code kann der Choral z.B. mit GregorioTeX gerendert werden.