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Gregorianischer Choral
"initial-style: 1;\r\n%%\r\n(c3)Gau(c)de(e)\u00e1(f)mus(e) e(h)xul(g)t\u00e1n(f)tes,(e.) (;)\r\nCor(f)dis(g) Je(e)su(c) per(d)so(c)n\u00e1n(bc)tes(e.) (;)\r\nDi(f)v\u00ed(g)na(f) pr\u00e6(e)c\u00f3r(d)di(e)a.(e.) (::)\r\n\r\nH\u00e6c(c) est(e) di(f)es(e) ve(h)ne(g)r\u00e1n(f)da,(e.) (;)\r\nIn(f) qua(g) Pa(e)tris(c) a(d)do(c)r\u00e1n(bc)da(e.) (;)\r\nLau(f)d\u00e1(g)mus(f) pr\u00e6(e)c\u00f3r(d)di(e)a.(e.) (::)\r\n\r\nCor(g) a(e)m\u00e1n(f)dum(e) Sal(i)va(h)t\u00f3(gvFE'f)ris,(g.) (;)\r\nMel(g)lis(f) for(h)tem(e) et(c) a(d)m\u00f3(c)ris,(b.) (;)\r\nCor(f)da(g) cun(f)cta(e) d\u00ed(d)li(e)gant.(e.) (::)\r\n\r\nCor(g) be(e)\u00e1(f)tum(e) sum(i)mi(h) Re(gvFE'f)gis,(g.) (;)\r\nCor(g) et(f) vi(h)tam(e) no(c)va(d) le(c)gis,(b.) (;)\r\nOn(f)mes(g) Lin(f)gu\u00e6(e) c\u00f3n(d)ci(e)nant.(e.) (::)\r\n\r\nSit(e) laus(i) ple(j)na,(h) sit(i) im(gf)m\u00e9n(h)sa,(i.) (;)\r\nSit(i) pe(h)r\u00e9n(g)nis,(f) sit(h) ac(i)c\u00e9n(i)sa,(e.) (;)\r\nAr(f)d\u00f3(g)ri(f)bus(e) p\u00e9(d)cto(e)ris!(e.) (::)\r\n\r\nLau(e)det,(i) ca(j)nat(h) or(i)bis(gf) to(h)tus,(i.) (;)\r\nCo(i)lat,(h) a(g)met(f) to(h)ta(i) vir(i)tus(e.) (;)\r\nEt(f) cor(g)dis(f) et(e) c\u00f3r(d)po(e)ris!(e.) (::)\r\n\r\nO(i)ra,(h) ma(i)nus,(ij) sen(l)sus,(k) vi(j)gor,(i.) (;)\r\nFi(l)des(k) vi(j)va,(h) pu(i)rus(j) a(i)mor,(e.) (;)\r\nCor(f) d\u00ed(g)vi(f)dunt(e) c\u00f3n(d)so(e)nent!(e.) (::)\r\n\r\nFlam(i)mis(h) sa(i)cris(ij) in(l)flam(k)m\u00e1(j)ta(i.) (;)\r\nCor(l)da(k) vo(j)ces(h) at(i)que(j) fa(i)cta,(e.) (;)\r\nCor(f) a(g)m\u00f3(f)ris(e) pr\u01fd(d)di(e)cent!(e.) (::)\r\n\r\nCor(i) mi(h)r\u00e1n(i)dum(h) Re(k)dem(j)pt\u00f3(i)ris,(h.) (;)\r\nCo(h)a(i)d\u00fa(k)nans(j) ter(i)ram(h) c\u00e6(i)lis,(i.) (;)\r\nU(i)ni(g)t\u00e1(h)tis(fe) sp\u00e9(d)cu(e)lum.(e.) (::)\r\n\r\nDi(i)gna(h) se(i)des(h) Tri(k)ni(j)t\u00e1(i)tis,(h.) (;)\r\nPle(h)ni(i)t\u00fa(k)do(j) De(i)i(h)t\u00e1(i)tis,(i.) (;)\r\nA(i)m\u00f3(g)ris(h) mi(fe)r\u00e1(d)cu(e)lum.(e.) (::)\r\n\r\nA(i)m\u00f3(h)ris(gh) E(fe)van(g)g\u00e9(h)li(ij)um,(i.) (;)\r\nPu(h)ri(i) cor(k)dis(j) in(i)c\u00e9n(h)di(g)um,(f.) (;)\r\nMa(h)gna(i) De(e)i(f) gl\u00f3(g)ri(f)a.(e.) (::)\r\n\r\nC\u00e6(i)li(h) ne(gh)ctar(fe) vi(g)v\u00ed(h)fi(ij)cans,(i.) (;)\r\nCor(h)dis(i) man(k)na(j) de(i)\u00ed(h)fi(g)cans;(f.) (;)\r\nA(h)mor(i) et(e) l\u00e6(f)t\u00ed(g)ti(f)a.(e.) (::)\r\n\r\nCle(i)ri(ij) sa(l)cri(i) pr\u00e6(l)s\u00ed(k)di(j)um,(i.) (;)\r\nRe(j)ctor(k) be(l)n\u00ed(k)gne(j) c\u00f3r(i)di(i)um,(g.) (;)\r\nNo(i)stra(g) re(h)ge(fe) p\u00e9(d)cto(e)ra.(e.) (::)\r\n\r\nFons(i) \u00e6(ij)t\u00e9r(l)n\u00e6(i) Pi(l)e(k)t\u00e1(j)tis,(i.) (;)\r\nAr(j)dens(k) for(l)nax(k) ca(j)ri(i)t\u00e1(i)tis,(g.) (;)\r\nCor(i)da(g) flam(h)mis(fe) d\u00e9(d)vo(e)ra!(e.) (::)\r\n\r\nDo(h)mus(g) a(f)m\u00f3(e)ris(f) \u00e1u(d)re(e)a,(e.) (;)\r\nTer(e)ris(g) a(i)m\u00e1n(i)tum(j) fl\u00e1m(h)me(i)a,(i.) (;)\r\nC\u00e6(i)tus(i) no(j)stri(h) lex(i) \u00ed(j)gne(i)a,(g.) (;)\r\nFons(i) pe(g)r\u00e9n(h)nis(fe) gr\u00e1(d)ti(e)\u00e6.(e.) (::)\r\n\r\nCor,(h) the(g)s\u00e1u(f)rus(e) san(f)cti(d)t\u00e1(e)tis,(e.) (;)\r\nA(e)b\u00fds(g)sus(i) hu(i)mi(j)li(h)t\u00e1(i)tis,(i.) (;)\r\nThro(i)nus(i) De(j)i(h) vo(i)lun(j)t\u00e1(i)tis,(g.) (;)\r\nEt(i) cen(g)trum(h) cle(fe)m\u00e9n(d)ti(e)\u00e6.(e.) (::)\r\n\r\nPa(i)ra(h)d\u00ed(i)sus(g) Be(h)a(f)t\u00f3(d)rum,(e.) (;)\r\nCon(e)so(g)l\u00e1(i)tor(i) af(j)fli(h)ct\u00f3(i)rum,(i.) (;)\r\nPax(j) et(k) sa(l)lus(k) pec(ji)ca(h)t\u00f3(i)rum,(i.) (;)\r\nCor(i) \u00f3m(g)ni(h)bus(fe) \u00f3m(d)ni(e)a.(e.) (::)\r\n\r\nO(i) Je(h)su,(i) rap(g)tor(h) c\u00f3r(f)di(d)um,(e.) (;)\r\nA(e)m\u00f3(g)re(i) fla(i)grans(j) m\u00e9n(h)ti(i)um,(i.) (;)\r\nCor(j) tu(k)um(l) tra(k)hat(ji) \u00f3m(h)ni(i)um(i.) (;)\r\nMen(i)tes(g) et(h) pr\u00e6(fe)c\u00f3r(d)di(e)a.(e.) (::)\r\n\r\nO(e) Cor,(e) sum(f)ma(e) be(g)n\u00ed(h)gni(ij)tas,(i.) (;)\r\nIm(j)m\u00e9n(k)sa(j) li(i)be(j)r\u00e1(gf)li(h)tas,(i.) (;)\r\nIn(e)com(g)pre(i)h\u00e9n(i)sa(j) c\u00e1(h)ri(i)tas,(i.) (;)\r\nCor(i)dis(j) ve(h)ra(f) fe(h)l\u00ed(g)ci(f)tas,(e.) (;)\r\nCor(d) e(f)sto(hi) sup(e)pl\u00ed(f)ci(e)bus!(e.) (::)\r\n\r\nFac(e) nos,(e) Je(f)su(e) flam(g)me(h)sc\u00e9n(ij)tem(i.) (;)\r\nCor(j)dis(k) tu(j)i(i) ca(j)ri(gf)t\u00e1(h)tem,(i.) (;)\r\nEt(e) di(g)v\u00ed(i)nam(i) pi(j)e(h)t\u00e1(i)tem,(i.) (;)\r\nSum(i)mam(j) quo(h)que(f) san(h)cti(g)t\u00e1(f)tem(e.) (;)\r\nSan(d)ctis(f) se(hi)qui(e) m\u00f3(f)ri(e)bus!(e.) (::)\r\n\r\nO(i) be(j)\u00e1(ivHG)ta(h) Tr\u00ed(hg)ni(h)tas,(i.) (;)\r\nCor(i)dis(h) Je(g)su(f) c\u00e1(gvFE)ri(d)tas,(e.;)\r\nIm(f)m\u00e9n(g)s\u00e6(h) cle(f)m\u00e9n(d)ti(e)\u00e6.(e.) (::)\r\n\r\nIm(i)m\u00e9n(j)s\u00e6(ivHG) sint(h) gr\u00e1(hg)ti(h)\u00e6,(i.) (;)\r\n\u00e6(i)t\u00e9r(h)na(g) sit(f) gl\u00f3(gvFE)ri(d)a.(e.;)\r\nA(f)men(g) di(h)cant(f) \u00f3m(d)ni(e)a!(e.) (::)\r\n\r\nA(efe)men,(de..) (,) Al(f)le(d)l\u00fa(fe~)ia.(e.::)\r\n"Mit diesem GABC Code kann der Choral z.B. mit GregorioTeX gerendert werden.
„Septimus angelicus (Der Siebte ist engelhaft)“
Der 7. Ton (Mixolydisch) gilt als engelhaft, jugendlich und strahlend.