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Gregorianischer Choral
"(c4)Al(c)l\u00ea(d)lu(de)ia,(d.c.) (,) al(e)l\u00ea(g)lu(gh)ia,(g.) al(fe~)l\u00ea(dc)lu(de~)ia.(e.) (::Z)\r\n1. To\u00e0n(c) d\u00e2n(de) \u01a1i,(e) mau(e) mau(e) gi\u01a1(e) tay(e) v\u1ed7(e) kh\u00fac(de) hoan(d) l\u1ea1c,(c.) (;) m\u1eebng(c) reo(df) ca(f) vang(f) ca(f) b\u00e0i(d) h\u00e1t(f) khen.(e.) (::) Al(e)l\u00ea(g)lu(gh)ia,(g.) al(fe~)l\u00ea(dc)lu(de~)ia.(e.) (::)\r\n2. B\u1edfi(ixdh'!iv) ch\u01b0ng(h) Cha(h) tr\u00ean(h) cao(h) r\u1ea5t(h) \u0111\u00e1ng(gh) kinh(g) thi\u00ean,(g.) (;) Vua(g) c\u1ea3(gh) cai(g) m\u1ecdi(f) lo\u00e0i(d) tr\u00ean(f) c\u00f5i(ed) \u0111\u1ea5t.(ffe.) (::) Al(c)l\u00ea(d)lu(de)ia,(d.c.) (,) al(e)l\u00ea(g)lu(gh)ia,(g.) al(fe~)l\u00ea(dc)lu(de~)ia.(e.) (::)\r\n3. Ng\u01b0\u1eddi(c) \u0111em(de) mu\u00f4n(e) d\u00e2n(e) \u0111\u1ec3(de) d\u01b0\u1edbi(d) ch\u00e2n,(c.) (;) Ng\u01b0\u1eddi(c) ph\u1ee5c(df) ch\u01b0(f) d\u00e2n(f) d\u01b0\u1edbi(f) quy\u1ec1n(d) ch\u00fang(f) con.(e.) (::) Al(e)l\u00ea(g)lu(gh)ia,(g.) al(fe~)l\u00ea(dc)lu(de~)ia.(e.) (::)\r\n4. Th\u01b0\u1edf(ixdh'!iv) x\u01b0a,(h) Cha(h) ban(h) cho(h) con(h) c\u01a1(h) ng\u01a1i(h) c\u1ee7a(gh) cha,(g.) (;) vinh(g) quang(g) Gia(g)c\u00f3p(g) t\u1ed5(gh) t\u00f4ng(g) x\u01b0a(f) Ng\u01b0\u1eddi(d) m\u1ebfn(f) y\u00eau(ed) l\u1eafm.(ffe.) (::) Al(c)l\u00ea(d)lu(de)ia,(d.c.) (,) al(e)l\u00ea(g)lu(gh)ia,(g.) al(fe~)l\u00ea(dc)lu(de~)ia.(e.) (::)\r\n5. N\u00e0y(c) T\u00f4n(de) Ch\u00faa(e) th\u0103ng(e) l\u00ean(e) gi\u1eefa(e) ti\u1ebfng(de) reo(d) h\u00f2,(c.) (;) Ng\u01b0\u1eddi(c) ng\u1ef1(df) l\u00ean(f) gi\u1eefa(f) ti\u1ebfng(f) k\u00e8n,(d) ti\u1ebfng(f) ca.(e.) (::) Al(e)l\u00ea(g)lu(gh)ia,(g.) al(fe~)l\u00ea(dc)lu(de~)ia.(e.) (::)\r\n6. V\u00e3n(ixdh'!iv) l\u00ean,(h) d\u00e2ng(h) cha(h) ta(h) v\u00e3n(gh) ca(g) l\u00ean,(g.) (;) d\u00e2ng(g) l\u00ean(gh) mu\u00f4n(g) v\u00e3n(g) th\u01a1(g) ca(f) m\u1eebng(d) \u0110\u1ee9c(f) Vua(ed) c\u1ea3.(ffe.) (::) Al(c)l\u00ea(d)lu(de)ia,(d.c.) (,) al(e)l\u00ea(g)lu(gh)ia,(g.) al(fe~)l\u00ea(dc)lu(de~)ia.(e.) (::)\r\n7. V\u00ec(c) ch\u01b0ng(de) Vua(e) mu\u00f4n(e) d\u00e2n(e) l\u00e0(d) \u0110\u1ee9c(e) Ch\u00faa(d) Tr\u1eddi,(c.) (;) n\u00e0o(c) ta(df) kh\u00f4n(f) ngoan(f) t\u1ea5u(f) l\u1eddi(d) ch\u00fac(f) khen.(e.) (::) Al(e)l\u00ea(g)lu(gh)ia,(g.) al(fe~)l\u00ea(dc)lu(de~)ia.(e.) (::)\r\n8. Ng\u01b0\u1eddi(d) qu\u1ea3n(ixdh'!iv) cai(h) tr\u00ean(g) c\u00e1c(gh) d\u00e2n,(g.) (;) ngai(g) Thi\u00ean(g) Ch\u00faa(gh) ta(g) cai(f) tr\u1ecb,(d) n\u01a1i(f) \u0111\u1ec1n(ed) th\u00e1nh.(ffe.) (::) Al(c)l\u00ea(d)lu(de)ia,(d.c.) (,) al(e)l\u00ea(g)lu(gh)ia,(g.) al(fe~)l\u00ea(dc)lu(de~)ia.(e.) (::)\r\n9. Th\u1ee7(c) l\u00e3nh(de) ch\u01b0(e) d\u00e2n(e) suy(e) ph\u1ee5c(d) Ch\u00faa(f) Ab(d)ra(f)ham,(e.) (;) v\u00ec(c) c\u1ea3(df) kh\u1eafp(f) \u0111\u1ea5t(f) qu\u1ef7(f) th\u1ea7n(d) khi\u1ebfp(f) kinh.(e.) (::) Al(e)l\u00ea(g)lu(gh)ia,(g.) al(fe~)l\u00ea(dc)lu(de~)ia.(e.) (::)\r\n10. C\u1ea3(ixdh'!iv) s\u00e1ng(h) \u0110\u1ee9c(h) Ch\u00faa(h) Cha(h) v\u00e0(g) \u0110\u1ee9c(gh) Ch\u00faa(h) Con,(g.) (;) c\u1ea3(g) s\u00e1ng(gh) Ng\u00f4i(g) Ba(f) l\u00e0(d) Th\u00e1nh(f) Linh(ed) Ch\u00faa.(ffe.) (::) Al(c)l\u00ea(d)lu(de)ia,(d.c.) (,) al(e)l\u00ea(g)lu(gh)ia,(g.) al(fe~)l\u00ea(dc)lu(de~)ia.(e.) (::)\r\n11. T\u1eeb(c) kh\u1edfi(de) nguy\u00ean,(e) cho(e) \u0111\u1ebfn(e) nay,(d) cho(d) \u0111\u1ebfn(e) v\u00f4(d) t\u1eadn,(c.) (;) c\u1ea3(c) s\u00e1ng(df) Ba(f) Ng\u00f4i(f) \u0111\u1ebfn(f) \u0111\u1eddi(d) \u0111\u1eddi(d) ch\u1eb3ng(f) ng\u01a1i.(e.) (::) Al(e)l\u00ea(g)lu(gh)ia,(g.) al(fe~)l\u00ea(dc)lu(de~)ia.(e.) (::) Al(c)l\u00ea(d)lu(de)ia,(d.c.) (,) al(e)l\u00ea(g)lu(gh)ia,(g.) al(fe~)l\u00ea(dc)lu(de~)ia.(e.) (::)\r\n"„Quartus harmonicus (Der Vierte ist harmonisch)“
Der 4. Ton (Hypophrygisch) wirkt oft süß, schmeichelnd und harmonisch friedvoll.
Mit diesem GABC Code kann der Choral z.B. mit GregorioTeX gerendert werden.