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Gregorianischer Choral
"(c4)Al(c)le(d)l\u00fa(de)ia:(d.c.) (,) al(e)le(g)l\u00fa(gh)ia,(g.) al(fe~)le(dc)l\u00fa(de~)ia.(e.) bis.(::) (Z)\r\n1. Om(c)nes(de) Gen(e)tes,(e) pl\u00e1u(e)di(e)te(de) m\u00e1(d)ni(c)bus:(c.) <v>\\greheightstar</v>(;) ju(c)bi(df)l\u00e1(f)te(f) De(f)o(f.) in(f) vo(f)ce(f) ex(f)sul(f)ta(f)ti(d)\u00f3(f)nis.(e.) (::) Al(e)le(g)l\u00fa(gh)ia,(g.) al(fe~)le(dc)l\u00fa(de~)ia.(e.) (::)\r\n2. Qu\u00f3(ixdh'!iv)ni(h)am(h) D\u00f3(h)mi(h)nus(h) ex(h)c\u00e9l(h)sus,(h) ter(h)r\u00ed(gh)bi(g)lis:(g.) <v>\\greheightstar</v>(;) Rex(g) ma(gh)gnus(g) su(g)per(g) om(f)nem(d) ter(f)ram.(ed/ffe.) (::) Al(c)le(d)l\u00fa(de)ia:(d.c.) (,) al(e)le(g)l\u00fa(gh)ia,(g.) al(fe~)le(dc)l\u00fa(de~)ia.(e.) (::)\r\n3. Sub(c)j\u00e9(de)cit(e) p\u00f3(e)pu(e)los(de) no(d)bis:(c.) <v>\\greheightstar</v>(;) et(c) Gen(df)tes(f) sub(f) p\u00e9(f)di(f)bus(d) no(f)stris.(e.) (::) Al(e)le(g)l\u00fa(gh)ia,(g.) al(fe~)le(dc)l\u00fa(de~)ia.(e.) (::)\r\n4. E(dh)l\u00e9(ixhi)git(h) no(h)bis(h.) he(h)re(h)di(h)t\u00e1(h)tem(h) su(gh)am:(g.) <v>\\greheightstar</v>(;) sp\u00e9(g)ci(g)em(g) Ja(gh)cob,(g) quam(f) di(d)l\u00e9(f)xit.(ed/ffe.) (::) Al(c)le(d)l\u00fa(de)ia:(d.c.) (,) al(e)le(g)l\u00fa(gh)ia,(g.) al(fe~)le(dc)l\u00fa(de~)ia.(e.) (::)\r\n5. A(c)sc\u00e9n(de)dit(e) De(e)us(e) in(de) j\u00fa(d)bi(c)lo:(c.) <v>\\greheightstar</v>(;) et(c) D\u00f3(df)mi(f)nus(f) in(f) vo(f)ce(d) tu(f)b\u00e6.(e.) (::) Al(e)le(g)l\u00fa(gh)ia,(g.) al(fe~)le(dc)l\u00fa(de~)ia.(e.) (::)\r\n6. Ps\u00e1l(ixdh'!iv)li(h)te(h) De(h)o(h) no(h)stro,(h) ps\u00e1l(gh)li(g)te:(g.) <v>\\greheightstar</v>(;) ps\u00e1l(g)li(g)te(g) Re(gh)gi(g) no(f)stro,(d) ps\u00e1l(f)li(f)te.(ed/ffe.) (::) Al(c)le(d)l\u00fa(de)ia:(d.c.) (,) al(e)le(g)l\u00fa(gh)ia,(g.) al(fe~)le(dc)l\u00fa(de~)ia.(e.) (::)\r\n7. Qu\u00f3(c)ni(de)am(e) Rex(e) om(e)nis(e) ter(e)r\u00e6(de) De(d)us:(c.) <v>\\greheightstar</v>(;) ps\u00e1l(c)li(df)te(f) sa(f)pi(d)\u00e9n(f)ter.(e.) (::) Al(e)le(g)l\u00fa(gh)ia,(g.) al(fe~)le(dc)l\u00fa(de~)ia.(e.) (::)\r\n8. Re(dh)gn\u00e1(ixhi)bit(h) De(h)us(h) su(h)per(h) Gen(gh)tes:(g.) <v>\\greheightstar</v>(;) De(g)us(g) se(gh)det(g) su(g)per(g) se(g)dem(g) san(f)ctam(d) su(f)am.(ed/ffe.) (::) Al(c)le(d)l\u00fa(de)ia:(d.c.) (,) al(e)le(g)l\u00fa(gh)ia,(g.) al(fe~)le(dc)l\u00fa(de~)ia.(e.) (::)\r\n9. Pr\u00edn(c)ci(de)pes(e) po(e)pu(e)l\u00f3(e)rum(e.) con(e)gre(e)g\u00e1(e)ti(e) sunt(e) cum(e) De(e)o(d) A(f)bra(d)ham:(e.) <v>\\greheightstar</v>(;) qu\u00f3(c)ni(df)am(f) di(f)i(f) for(f)tes(f) ter(f)r\u00e6(f.) ve(f)he(f)m\u00e9n(f)ter(f) e(f)le(d)v\u00e1(f)ti(f) sunt.(e.) (::) Al(e)le(g)l\u00fa(gh)ia,(g.) al(fe~)le(dc)l\u00fa(de~)ia.(e.) (::)\r\n10. Gl\u00f3(ixdh'!iv)ri(h)a(h) Pa(h)tri,(h) et(h) F\u00ed(gh)li(g)o,(g.) <v>\\greheightstar</v>(;) et(g) Spi(g)r\u00ed(gh)tu(g)i(d) San(f)cto.(ed/ffe.) (::) Al(c)le(d)l\u00fa(de)ia:(d.c.) (,) al(e)le(g)l\u00fa(gh)ia,(g.) al(fe~)le(dc)l\u00fa(de~)ia.(e.) (::)\r\n11. Si(c)cut(de) e(e)rat(e) in(e) prin(e)c\u00ed(e)pi(e)o,(e.) et(e) nunc,(e) et(de) sem(d)per,(c.) <v>\\greheightstar</v>(;) et(c) in(df) s\u01fd(f)cu(f)la(f) s\u00e6(f)cu(f)l\u00f3(f)rum.(d) A(f)men.(e.) (::) Al(e)le(g)l\u00fa(gh)ia,(g.) al(fe~)le(dc)l\u00fa(de~)ia.(e.) \r\n(::) Al(c)le(d)l\u00fa(de)ia:(d.c.) (,) al(e)le(g)l\u00fa(gh)ia,(g.) al(fe~)le(dc)l\u00fa(de~)ia.(e.) (::)"„Quartus harmonicus (Der Vierte ist harmonisch)“
Der 4. Ton (Hypophrygisch) wirkt oft süß, schmeichelnd und harmonisch friedvoll.
Mit diesem GABC Code kann der Choral z.B. mit GregorioTeX gerendert werden.