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Gregorianischer Choral
"(c4)Ch\u00ednh(f) l\u00e0(e) l\u00fac(f) kh\u1ed5(d) trong(e) ng\u00e0y(c) Ch\u00faa(d) \u00e1n(d.) (;)\r\nM\u1ed7i(f) v\u1eadt(fg) ra(fe) tr\u1ea7n(dc) d\u01b0\u1edbi(e) c\u1ea3(f) th\u1ebf(e) gian(d.) (;)\r\nT\u00f9y(a) ph\u00e1t(cd) ng\u00f4n(d) nh\u00e2n(dc) n\u00f3i(e) tr\u01b0\u1edbc(f) s\u1ef1(e) t\u00e0n.(d.) (::)\r\nCh\u00faa(f) s\u1ebd(e) \u0111\u1ebfn(f) ph\u00e2n(d) x\u1eed(e) b\u1eb1ng(c) nghi\u00eam(d) minh(d.) (;)\r\nV\u00e0(f) loa(fg) Thi\u00ean(fe) Th\u1ea7n(dc) b\u1ea3o(e) l\u00ean(f) thi\u00ean(e) \u0111\u00ecnh(d.) (;)\r\nB\u1ee1i(a) kh\u1eafp(cd) m\u1ea3(d) m\u1ed3(dc) ch\u01b0(e) nh\u00e2n(f) ph\u1ee5c(e) sinh.(d.) (::)\r\n \u00d4i(h) kh\u1ed1n(j) kh\u1ed5(j) ch\u00fang(igh) t\u00f4i(hvGF) bi\u1ebft(g) n\u00f3i(h) sao?(hd..) (;)\r\nV\u00ec(f) k\u1ebb(e) v\u00e2ng(f) l\u1eddi(d) kh\u00f4ng(e) b\u1ec1n(c) ch\u1eafc(d) nao(d.) (;)\r\nKh\u00f4ng(f) c\u00f3(gh) ai(hvGF) l\u00e0nh,(evDC) kh\u00f4ng(e) bi\u1ebft(f) k\u00eau(e) c\u1ea7u.(d.) (::)\r\nH\u1ee1i(h) Gi\u00ea-(j)su(j) Vua(igh) quy\u1ec1n(hvGF) cao(g) x\u00e9t(h) ng\u01b0\u1eddi(hd..) (;)\r\nT\u1ea1i(f) v\u00ec(e) con,(f) Ng\u00e0i(d) \u0111\u00e3(e) ch\u1ecbu(c) ra(d) \u0111\u1eddi(d.) (;)\r\nCon(f) c\u1eady(gh) nh\u1edd(hvGF) Ng\u00e0i,(evDC) khi(e) \u0111\u1ebfn(f) l\u00fac(e) \u1ea5y.(d.) (::)\r\n\r\nCh\u00faa(h) \u0111\u00e3(gf) nh\u1eadn(g) l\u1eddi(h_d) k\u1ebb(dc) t\u1ed9i(a) n\u00e0i(cd) xin(d.) (;)\r\nTha(fe) cho(d) Ma-(c)\u0111a-(a)le-(c)na(d) k\u1ebb(f) tin(ecd.) (;) \r\nC\u0169ng(h) cho(f) con(g) tr\u00f4ng(d) \u0111\u1ee3i(c) \u00e2n(d) gi\u1eef(f) g\u00ecn(ecd.) (::)\r\nK\u00ednh(h) xin(gf) Ch\u00faa(g) nh\u1eadn(h_d) l\u1eddi(dc) c\u1ea7u(a) an(cd) x\u00e1(d.) (;)\r\nCh\u1edb(fe) b\u1ecf(d) con(c) ng\u00e3(a) v\u00e0o(c) trong(d) ng\u1ee5c(f) ma(ecd.) (;)\r\nC\u1ea3(h) nh\u00e2n(f) kh\u00f4ng(g) l\u00e0nh(d) m\u00e0(c) Ch\u00faa(d) th\u1ee9(f) tha.(ecd.) (::)\r\nH\u1ee1i(d) Ch\u00faa(h) gi\u00fap(ixhi) con(h) trong(g) gi\u1edd(fe) l\u00e2m(g) t\u1eed(h.) (;)\r\nCho(f) v\u00e0o(e) v\u1edbi(g) c\u1ea3(h.) h\u1ed9i(dfED'C) th\u00e1nh(f) nam(e) n\u1eef.(d.) (::)\r\nNg\u00e0y(h) \u1ea5y(j) \u0110\u1ee9c(k) Ch\u00faa(jvIH) ph\u1ee5c(hvGF) l\u00e2m(g) trong(h) \u0111\u1eddi(hd..) (;)\r\nV\u00e0(f) Ng\u00e0i(e) ph\u00e1n(g) x\u00e9t(h.) c\u1ea3(dfED'C) d\u00e2n,(f) m\u1ed7i(e) ng\u01b0\u1eddi.(d.) (::)\r\n\u00d4i(h) Gi\u00ea-(g)su(f) l\u00e2n(e) m\u1eabn(g) v\u00f4(g) bi\u00ean(h.) (;)\r\nXin(f) cho(e) c\u00e1c(g) ng\u01b0\u1eddi(ede) \u0111\u01b0\u1ee3c(f) ng\u1ee7(e) y\u00ean.(d.) (::) A-(ce!fvED)men.(cd..) (::)"„Secundus tristis (Der Zweite ist traurig)“
Der 2. Ton (Hypodorisch) hat oft einen ruhigen, traurigen und demütigen Charakter.
Mit diesem GABC Code kann der Choral z.B. mit GregorioTeX gerendert werden.