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Gregorianischer Choral
"(c4)Con(d) n\u00edt(f) m\u1edbi(f) sinh(e) \u1edf(f) Bet-(g)le-(f)hem,(e) al-(d)l\u00ea-(f)lu-(e)ia.(d.) (;)\r\nV\u00ec(d) v\u1eady(f) Gi\u00ea-(g)ru-(h)sa-(g)lem(h) vui(g) m\u1eebng,(f.) (;) al-(f)l\u00ea-(f)lu-(f)ia,(f) al-(h)l\u00ea-(g)lu-(f)ia.(e.) (::)\r\nL\u00f2ng(d) m\u1eebng(f) t\u00edn(g) h\u1eefu(h) h\u1ebft(ixi) c\u1ea3,(j.) (,) ta(j) h\u00e3y(f)\r\nTh\u1edd(f) l\u1ea1y(f) Ki-(h)t\u00f4(g) sinh(f) ra,(e.) (;) v\u00e0(d) x\u01b0\u1edbng(f) l\u00ean(f) b\u00e0i(e) t\u00e2n(e) ti\u00ean.(d.) (::)\r\n2. Ng\u00f4i(d) Hai(f) Con(f) m\u1ed9t(e) c\u1ee7a(f) \u0110\u1ee9c(g) Ch\u00faa(f) Tr\u1eddi,(e) al-(d)l\u00ea-(f)lu-(e)ia.(d.) (;)\r\n\u0110\u00e3(d) th\u00e0nh(f) n\u00ean(g) huy\u1ebft(h) nh\u1ee5c(g) trong(h) lo\u00e0i(g) ng\u01b0\u1eddi,(f.) (;) al-(f)l\u00ea-(f)lu-(f)ia,(f) al-(h)l\u00ea-(g)lu-(f)ia.(e.) (::) L\u00f2ng(d) m\u1eebng.(f) (::)\r\n3. Ga-(d)bri-(f)el(f) truy\u1ec1n(e) tin(f) v\u1edbi(g) N\u1eef(f) trinh,(e) al-(d)l\u00ea-(f)lu-(e)ia.(d.) (;)\r\nL\u1eddi(d) Thi\u00ean(f) Ch\u00faa(g) khi\u1ebfn(h) m\u1eb9(g) th\u00e1nh(h) \u0111\u01b0\u1ee3c(g) sinh,(f.) (;) al-(f)l\u00ea-(f)lu-(f)ia,(f) al-(h)l\u00ea-(g)lu-(f)ia.(e.) (::) L\u00f2ng(d) m\u1eebng.(f) (::)\r\n4. V\u00e0(d) Thi\u00ean(f) S\u1ee9(f) truy\u1ec1n(e) b\u00e1o(f) v\u1edbi(g) m\u1ee5c(f) \u0111\u1ed3ng,(e) al-(d)l\u00ea-(f)lu-(e)ia.(d.) (;)\r\nGi\u1ea3i(d) t\u1ecf(f) Thi\u00ean(g) Ch\u00faa(h) \u0111\u00e3(g) \u0111\u1ebfn(h) khoan(g) h\u1ed3ng,(f.) (;) al-(f)l\u00ea-(f)lu-(f)ia,(f) al-(h)l\u00ea-(g)lu-(f)ia.(e.) (::) L\u00f2ng(d) m\u1eebng.(f) (::)\r\n5. Th\u1ea7y(d) b\u00f3i(f) Sa-(f)ba(e) c\u0169ng(f) \u0111\u1ebfn(g) th\u1edd(f) l\u1ea1y,(e) al-(d)l\u00ea-(f)lu-(e)ia.(d.) (;)\r\nV\u00e0(d) d\u00e2ng(f) tam(g) qu\u00ed(h) v\u1eadt(g) ban(h) cho(g) Ng\u00e0i,(f.) (;) al-(f)l\u00ea-(f)lu-(f)ia,(f) al-(h)l\u00ea-(g)lu-(f)ia.(e.) (::) L\u00f2ng(d) m\u1eebng.(f) (::)\r\n6. Ng\u00f4i(d) Con(f) gi\u00e1ng(f) sinh,(e) n\u00ean(f) gi\u1ed1ng(g) ng\u01b0\u1eddi(f) \u0111\u1eddi,(e) al-(d)l\u00ea-(f)lu-(e)ia.(d.) (;)\r\nCho(d) ta(f) \u0111\u01b0\u1ee3c(g) n\u00ean(h) h\u00ecnh(g) \u1ea3nh(h) Ng\u00f4i(g) L\u1eddi,(f.) (;) al-(f)l\u00ea-(f)lu-(f)ia,(f) al-(h)l\u00ea-(g)lu-(f)ia.(e.) (::) L\u00f2ng(d) m\u1eebng.(f) (::)\r\n7. Ng\u1ee3i(d) khen(f) Ki-(f)t\u00f4(e) m\u1eebng(f) Ch\u00faa(g) gi\u00e1ng(f) sinh,(e) al-(d)l\u00ea-(f)lu-(e)ia.(d.) (;)\r\nT\u1ea1(d) \u00e2n(f) \u0110\u1ee9c(g) Ch\u00faa(h) ca(g) kinh(h) hi\u1ec3n(g) vinh,(f.) (;) al-(f)l\u00ea-(f)lu-(f)ia,(f) al-(h)l\u00ea-(g)lu-(f)ia.(e.) (::) L\u00f2ng(d) m\u1eebng.(f) (::)\r\n\r\n"„Primus gravis (Der Erste ist ernst)“
Der 1. Ton (Dorisch) gilt traditionell als ernst, erhaben und majestätisch.
Mit diesem GABC Code kann der Choral z.B. mit GregorioTeX gerendert werden.