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Gregorianischer Choral
"(c3)Ch\u00faa(e) Th\u00e1nh(f) Th\u1ea7n(ed) \u0110\u1ea5ng(e) d\u1ef1ng(fe) n\u00ean(h) ch\u00fang(i) con(h.) (;) \r\nK\u00ednh(h) xin(e) Ch\u00faa(f) \u0111\u1ebfn(h) vi\u1ebfng(ih) m\u1ed7i(i) t\u00e2m(j) h\u1ed3n(i.) (:)\r\n\u00c2n(h) Ch\u00faa(ij) tr\u00e0n(hg) v\u00e0o(fe) cho(hi) \u0111\u1ea7y(e) t\u00e2m(f) linh(h.) (;)\r\nXin(gh) s\u1eeda(f) l\u00f2ng(ed) k\u1ebb(f) Ch\u00faa(fgf) \u0111\u00e3(e) d\u1ef1ng(d) sinh.(e.) (::)\r\n2. \u0110\u1ee9c(e) Ch\u00faa(f) bi\u1ec7n(ed) h\u1ed9(e) l\u00e0(fe) \u0110\u1ea5ng(h) ph\u00e1t(i) ng\u00f4n(h.) (;)\r\nC\u00e1c(h) \u00e2n(e) s\u1ee7ng(f) c\u1ee7a(h) Cha(ih) ra(i) b\u1edfi(j) ngu\u1ed3n(i.) (:)\r\nH\u1ee1i(h) Th\u00e1nh(ij) l\u00e0(hg) m\u1ea1ch(fe) s\u1ed1ng,(hi) l\u1eeda(e) y\u00eau(f) th\u01b0\u01a1ng(h.) (;)\r\n\u1ea5n(gh) t\u00edn(f) thi\u00eang(ed) li\u00eang(f) \u0111\u1ec3(fgf) con(e) l\u00e0m(d) g\u01b0\u01a1ng.(e.) (::)\r\n3. H\u01a1i(e) Th\u00e1nh(f) l\u00e0(ed) ngu\u1ed3n(e) ban(fe) b\u1ea3y(h) th\u1ee9(i) \u00e2n(h.) (;)\r\nC\u00e1nh(h) tay(e) ph\u1ea3i(f) c\u1ee7a(h) Ng\u00f4i(ih) Cha(i) th\u00e2m(j) nh\u00e2n(i.) (:)\r\n\u0110\u1ee9c(h) Ch\u00faa(ij) Cha(hg) \u0111\u00e3(fe) h\u1ee9a:(hi) Ng\u00e0i(e) sai(f) H\u01a1i(h.) (;) \r\nN\u00f3i(gh) qua(f) nh\u1eefng(ed) con(f) ph\u00e1t(fgf) ng\u00f4n(e) Ng\u01b0\u1eddi(d) L\u1eddi.(e.) (::)\r\n4. Soi(e) s\u00e1ng(f) t\u00e2m(ed) tr\u00ed(e) cho(fe) r\u00f5(h) \u00fd(i) t\u01b0\u1edfng(h.) (;)\r\n\u0110\u1ed5(h) t\u00ecnh(e) y\u00eau(f) \u0111\u1ec3(h) ch\u00fang(ih) con(i) bi\u1ebft(j) y\u00eau(i.) (:) \r\nCon(h) y\u1ebfu(ij) h\u00e8n(hg) c\u1ea7u(fe) s\u1ee9c,(hi) ban(e) cho(f) con(h.) (;)\r\nS\u1ee9c(gh) n\u00e0y(f) l\u00e0m(ed) cho(f) ch\u1eafc(fgf) ch\u00e2n(e) lu\u00f4n(d) lu\u00f4n(e.) (::)\r\n5. \u0110u\u1ed5i(e) ma(f) th\u00f9(ed) \u0111\u1ecbch(e) \u0111\u1ec3(fe) n\u00f3(h) tr\u1ed1n(i) xa(h.) (;)\r\nBanh(h) b\u00ecnh(e) an(f) ra(h) b\u1edfi(ih) \u0110\u1ee9c(i) Ch\u00faa(j) Cha(i.) (:)\r\nXin(h) d\u1eabn(ij) \u0111\u01b0\u1eddng,(hg) d\u00ecu(fe) d\u1eaft(hi) h\u1ed9i(e) Ki-(f)t\u00f4(h.) (;)\r\nD\u1eabn(gh) \u0111\u1ea7u(f) b\u00e8n(ed) b\u1ecf(f) t\u1ed9i(fgf) \u0111\u01b0\u1ee3c(e) kh\u1ecfi(d) lo.(e.) (::)\r\n6. B\u1edfi(e) Th\u00e1nh(f) Th\u1ea7n,(ed) con(e) \u0111\u01b0\u1ee3c(fe) bi\u1ebft(h) Ch\u00faa(i) Cha(h.) (;)\r\nTh\u00e1nh(h) Th\u1ea7n(e) cho(f) bi\u1ebft(h) Ng\u00f4i(ih) Con(i) \u0110\u1ea5ng(j) tha(i.) (:) \r\nN\u1edf(h) tr\u00ed(ij) \u0111\u1ec3(hg) nh\u00ecn(fe) nh\u1eadn(hi) \u0111i\u1ec1u(e) H\u01a1i(f) Th\u00e1nh(h.) (;)\r\n\u0110\u1ea5ng(gh) c\u0169ng(f) l\u00e0(ed) \u0110\u1ee9c(f) Ch\u00faa(fgf) Tr\u1eddi(e) tr\u1ecdn(d) l\u00e0nh.(e.) (::)\r\n7. Nguy\u1ec7n(e) s\u00e1ng(f) cao(ed) danh(e) Cha(fe) \u1edf(h) Thi\u00ean(i) \u0111\u00ecnh(h.) (;)\r\nS\u00e1ng(h) danh(e) Ng\u00f4i(f) Con(h) \u0111\u00e3(ih) ch\u1ecbu(i) kh\u1ed5(j) h\u00ecnh(i.) (:)\r\nL\u00e0(h) \u0110\u1ea5ng(ij) t\u1eeb(hg) k\u1ebb(fe) ch\u1ebft(hi) \u0111\u00e3(e) ph\u1ee5c(f) sinh(h.) (;)\r\nNguy\u1ec7n(gh) Ng\u00f4i(f) bi\u1ec7n(ed) h\u1ed9(f) c\u0169ng(fgf) \u0111\u01b0\u1ee3c(e) hi\u1ec3n(d) vinh.(e.) (::)\r\nA-(efe)men.(de..::)\r\n"„Octavus perfectus (Der Achte ist vollkommen)“
Der 8. Ton (Hypomixolydisch) wird als weise, würdevoll und vollkommen beschrieben.
Mit diesem GABC Code kann der Choral z.B. mit GregorioTeX gerendert werden.