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Gregorianischer Choral
"(c3) Al-(f)l\u00ea-(f)lu-(g)ia,(fe) al-(f)l\u00ea-(hg)lu-(f)ia,(c.) (;)\r\nal-(g)l\u00ea-(h)lu-(g)ia,(f.) (::)\r\n1. H\u1ee1i(f) anh(h) em(i) ch\u00fang(ji) ta(h) h\u00e3y(ih) ca(g) k\u00ednh(f.) (;) \r\nThi\u00ean(f) Ch\u00faa(h) Gi\u00ea-(i)su(ji) Ki-(h)t\u00f4(ih) hi\u1ec3n(g) vinh(f.) (;)\r\nH\u00f4m(f) nay,(f) b\u1edfi(g) ng\u1ee5c,(fe) Ng\u00e0i(f) \u0111\u00e3(hg) ph\u1ee5c(f) sinh,(c.) (;) al-(g)l\u00ea-(h)lu-(g)ia.(f.) (::) Al-(f)l\u00ea-(f)lu-(g)ia,(fe) al-(f)l\u00ea-(hg)lu-(f)ia,(c.) (;)\r\nal-(g)l\u00ea-(h)lu-(g)ia,(f.) (::)\r\n2. Ng\u00e0y(f) th\u1ee9(h) nh\u1ea5t(i) \u0111\u1ebfn(ji) l\u00fac(h) s\u00e1ng(ih) s\u1edbm(g) \u1ea5y(f.) (;)\r\nNh\u1eefng(f) m\u00f4n(h) \u0111\u1ec7(i) t\u1edbi,(ji) th\u0103m(h) vi\u1ebfng(ih) m\u1ed3(g) Ng\u01b0\u1eddi(f.) (;)\r\nV\u00ec(f) l\u00f2ng(f) h\u1ecd(g) \u0111\u00e3(fe) nh\u1edb(f) Ch\u00faa(hg) qua(f) \u0111\u1eddi,(c.) (;) al-(g)l\u00ea-(h)lu-(g)ia.(f.) (::) Al-(f)l\u00ea-(f)lu-(g)ia,(fe) al-(f)l\u00ea-(hg)lu-(f)ia,(c.) (;)\r\nal-(g)l\u00ea-(h)lu-(g)ia,(f.) (::)\r\n3. M\u00e0(f) \u0111\u01b0\u1ee3c(h) tr\u00f4ng(i) th\u1ea5y(ji) Thi\u00ean(h) S\u1ee9(ih) vui(g) v\u1ebb(f.) (;) \r\nV\u00e0(f) Thi\u00ean(h) S\u1ee9(i) \u1ea5y(ji) n\u00f3i(h) v\u1edbi(ih) m\u00f4n(g) \u0111\u1ec7:\u201c(f.) (;)Ki-(f)t\u00f4(f) s\u1ed1ng(g) \u0111\u00e3(fe) \u0111i(f) Ga-(hg)li-(f)l\u00ea\u201d,(c.) (;) al-(g)l\u00ea-(h)lu-(g)ia.(f.) (::) Al-(f)l\u00ea-(f)lu-(g)ia,(fe) al-(f)l\u00ea-(hg)lu-(f)ia,(c.) (;)\r\nal-(g)l\u00ea-(h)lu-(g)ia,(f.) (::)\r\n4. Khi(f) m\u00f4n(h) \u0111\u1ec7(i) \u1ea5y(ji) \u1edf(h) chung(ih) trong(g) nh\u00e0(f.) (;) \r\nThi(f) Ch\u00faa(h) Gi\u00ea-(i)su(ji) \u1edf(h) gi\u1eefa(ih) hi\u1ec7n(g) ra(f.) (;)\r\nV\u00e0(f) Ng\u00e0i(f) ch\u00fac:\u201c(g)y\u00ean(fe) cho(f) con(hg) t\u01b0\u01a1ng(f) h\u00f2a\u201d,(c.) (;)al-(g)l\u00ea-(h)lu-(g)ia.(f.) (::) Al-(f)l\u00ea-(f)lu-(g)ia,(fe) al-(f)l\u00ea-(hg)lu-(f)ia,(c.) (;)\r\nal-(g)l\u00ea-(h)lu-(g)ia,(f.) (::)\r\n5. L\u1ea1i(f) n\u1eefa(h) \u0110\u1ee9c(i) Ch\u00faa(ji) \u0111\u00e3(h) n\u00f3i(ih) nh\u01b0(g) n\u1ea7y:\u201c(f.) (;)vui(f) k\u1ebb(h) kh\u00f4ng(i) th\u1ea5y(ji) nh\u01b0ng(h) tin(ih) nh\u1edd(g) L\u1eddi(f.) (;)\r\nH\u1ecd(f) \u0111\u01b0\u1ee3c(f) s\u1ed1ng(g) l\u1ea1i(fe) v\u00e0(f) s\u1ed1ng(hg) mu\u00f4n(f) \u0111\u1eddi\u201d,(c.) (;) al-(g)l\u00ea-(h)lu-(g)ia.(f.) (::) Al-(f)l\u00ea-(f)lu-(g)ia,(fe) al-(f)l\u00ea-(hg)lu-(f)ia,(c.) (;)\r\nal-(g)l\u00ea-(h)lu-(g)ia,(f.) (::)\r\n6. V\u00ec(f) v\u1eady(h) Ki-(i)t\u00f4(ji) ta(h) h\u00e3y(ih) t\u1ea1(g) \u00e2n(f.) (;)\r\nNg\u00e0y(f) l\u1ec5(h) Ph\u1ee5c(i) sinh(ji) vui(h) cho(ih) c\u1ea3(g) d\u00e2n(f.) (;)\r\nTa(f) h\u00e3y(f) ca(g) t\u1ee5ng(fe) h\u1ebft(f) s\u1ee9c(hg) v\u00f4(f) ng\u1ea7n,(c.) (;) al-(g)l\u00ea-(h)lu-(g)ia.(f.) (::) Al-(f)l\u00ea-(f)lu-(g)ia,(fe) al-(f)l\u00ea-(hg)lu-(f)ia,(c.) (;)\r\nal-(g)l\u00ea-(h)lu-(g)ia,(f.) (::)"„Secundus tristis (Der Zweite ist traurig)“
Der 2. Ton (Hypodorisch) hat oft einen ruhigen, traurigen und demütigen Charakter.
Mit diesem GABC Code kann der Choral z.B. mit GregorioTeX gerendert werden.