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Gregorianischer Choral
"(c3)T\u00f4i(f) tin(f) Ch\u00faa(g) Gi\u00ea-(fe)su(f) \u0111\u00e3(hg) sinh(f) h\u01b0\u1eddn.(c.) (;)\r\nHoan(g) h\u1ec9(h) vui(g) m\u1eebng.(f.) (::)\r\n1. M\u1eebng(f) khen(h) thay(i) ph\u00e9p(ji) l\u1ea1(h) c\u1ea3(ih) trong(g) \u0111\u1eddi,(f.) (;)\r\nK\u00eca(f) Gi\u00ea-(h)su(i) s\u1ed1ng(ji) l\u1ea1i(h) h\u1eb3n(ih) nh\u01b0(g) l\u1eddi,(f.) (;)\r\nGio-(f)na(f) t\u00edch(g) x\u01b0a(fe) nay(f) hi\u1ec3u(hg) nhau(f) r\u1ed3i(c.) (;)\r\nTa(g) h\u00e3y(h) tin(g) ng\u01b0\u1eddi.(f.) (::)\r\n2. V\u00e0i(f) ba(h) trinh(i) n\u1eef(ji) th\u01b0\u01a1ng(h) t\u01b0\u1edfng(ih) kh\u00f4ng(g) r\u1eddi,(f.) (;)\r\nD\u1ea7u(f) th\u01a1m(h) \u0111em(i) \u0111\u1ebfn(ji) toan(h) x\u1ee9c(ih) cho(g) Ng\u01b0\u1eddi:(f.) (;)\r\nPh\u00e2n(f) v\u00e2n(f) v\u1edbi(g) nhau:(fe) n\u01a1i(f) c\u1eeda(hg) ni\u00eam(f) r\u1ed3i(c.) (;)\r\n\u0110\u00e2u(g) th\u1ec3(h) x\u00e2y(g) d\u1eddi.(f.) (::)\r\n3. Gi\u1edd(f) mai(h) ch\u01b0a(i) s\u00e1ng,(ji) \u0111\u1ed9ng(h) \u0111\u1ea5t(ih) hay(g) li\u1ec1n:(f.) (;)\r\nM\u1ed3(f) \u0111ang(h) canh(i) g\u00e1c,(ji) \u0111\u1ec7(h) t\u1eed(ih) ra(g) t\u00ecm:(f.) (;)\r\nPh\u00ea-(f)r\u00f4(f) v\u1edbi(g) Gioan(fe) n\u01a1i(f) c\u1eeda(hg) tr\u00f4ng(f) nh\u00ecn,(c.) (;)\r\nBao(g) n\u1ed5i(h) ch\u1ea1nh(g) t\u00ecnh(f.) (::)\r\n4. K\u00eca(f) xem(h) qu\u00e2n(i) l\u00ednh(ji) s\u1ee3(h) h\u1ea3i(ih) kinh(g) h\u1ed3n!(f.) (;)\r\nL\u00f2ng(f) ngay(h) \u0111i(i) b\u00e1o,(ji) qu\u00e2n(h) d\u1eef(ih) th\u00eam(g) h\u1eddn(f.) (;)\r\nM\u01b0u(f) gian(f) m\u01b0\u1edbn(g) \u0111em(fe) tin(f) gi\u1ea3(hg) ra(f) \u0111\u1ed3n:\u201c(c.) (;)\u0110em(g) ng\u1ee7(h) kh\u00f4ng(g) t\u01b0\u1eddng\u201d.(f.) (::)\r\n5. Nh\u00e0(f) \u0111ang(h) nghi\u00eam(i) k\u00edn(ji) \u0111\u1ec7(h) t\u1eed(ih) kh\u00f4ng(g) ng\u1edd\u201c(f.) (;)B\u00ecnh(f) an\u201d(h) \u0111\u00f4i(i) ti\u1ebfng(ji) cho(h) th\u1ecfa(ih) tr\u00f4ng(g) ch\u1edd:(f.) (;)\r\nGi\u00ea-(f)su(f) Ch\u00faa(g) t\u00f4i(fe) ra(f) kh\u1ecfi(hg) n\u01a1i(f) m\u1ed3.(c.) (;)\r\nTh\u0103m(g) nh\u1eefng(h) m\u00f4n(g) \u0111\u1ed3.(f.) (::)\r\n6. Con(f) ai(h) xa(i) c\u00e1ch(ji) kh\u00f4ng(h) th\u1ea5y(ih) b\u00e2y(g) gi\u1edd?(f.) (;)\r\nR\u00e0y(f) nghe(h) tin(i) \u1ea5y(ji) th\u00eam(h) \u00fd(ih) nghi(g) ng\u1edd,(f.) (;)\r\nT\u00f4-(f)ma(f) quy\u1ebft(g) cho:(fe) tin(f) gi\u1ea3,(hg) tin(f) m\u1edd:\u201c(c.) (;)T\u00f4i(g) v\u1eabn(h) tr\u00f4ng(g) ch\u1edd\u201d(f.) (::)\r\n7. Ng\u01b0\u1eddi(f) hay(h) th\u01b0\u01a1ng(i) x\u00f3t(ji) kh\u00f4ng(h) b\u1ecf(ih) ai(g) n\u00e0o(f.) (;)\r\nL\u1ea7n(f) sau(h) th\u0103m(i) vi\u1ebfng(ji) d\u1ea1y(h) x\u1ecf(ih) tay(g) v\u00e0o.(f.) (;)\r\nT\u00f4-(f)ma(f) c\u1ee9ng(g) tin,(fe) nay(f) \u0111\u00e3(hg) ngh\u1eb9n(f) ng\u00e0o,(c.) (;)\r\nQua(g) n\u1ed7i(h) \u01b0u(g) s\u1ea7u(f.) (::)\r\n8. Ng\u01b0\u1eddi(f) tin(h) \u0111\u00e2u(i) d\u00e1m(ji) nguy\u1ec7t(h) \u0111\u1ed7i(ih) sao(g) d\u1eddi,(f.) (;)\r\nK\u00eca(f) Gi\u00ea-(h)su(i) ph\u00e1n:\u201c(ji)Th\u1eadt(h) ph\u01b0\u1edbc(ih) cho(g) ng\u01b0\u1eddi.(f.) (;)\r\nTuy(f) kh\u00f4ng(f) th\u1ea5y,(g) song(fe) tin(f) v\u1eefng(hg) nh\u01b0(f) l\u1eddi,(c.) (;)\r\nSau(g) hi\u1ec3u(h) tr\u00ean(g) tr\u1eddi.(f.) (::)\r\n9. N\u00e0o(f) ai(h) kh\u00f4ng(i) bi\u1ebft(ji) vi\u1ec7c(h) Ch\u00faa(ih) ra(g) \u0111\u1eddi,(f.) (;)\r\nV\u00ec(f) th\u01b0\u01a1ng(h) cam(i) ch\u1ebft,(ji) \u0111\u1eb7ng(h) c\u1ee9u(ih) nh\u01a1n(g) lo\u00e0i:(f.) (;)\r\nTa(f) suy(f) nh\u1edb(g) \u01a1n,(fe) th\u00f4i(f) b\u1ecf(hg) ch\u01a1i(f) b\u1eddi,(c.) (;)\r\nLo(g) tr\u1ea3(h) \u01a1n(g) ng\u01b0\u1eddi!(f.) (::)\r\n10. K\u00eca(f) Vua(h) vang(i) hi\u1ec3n(ji) th\u1eadt(h) Ch\u00faa(ih) thi\u00ean(g) \u0111\u00e0ng(f.) (;)\r\nL\u00e0m(f) mu\u00f4n(h) mu\u00f4n(i) ph\u00e9p(ji) l\u1ea1(h) ch\u1eefa(ih) nh\u01a1n(g) ph\u00e0m,(f.) (;)\r\nGi\u00ea-(f)su(f) ph\u00e9p(g) n\u00ean(fe) cao(f) c\u1ea3(hg) kh\u00f4n(f) ng\u1eb1n,(c.) (;)\r\nNay(g) \u0111\u00e3(h) sinh(g) h\u01b0\u1eddn.(f.) (::)\r\n"„Secundus tristis (Der Zweite ist traurig)“
Der 2. Ton (Hypodorisch) hat oft einen ruhigen, traurigen und demütigen Charakter.
Mit diesem GABC Code kann der Choral z.B. mit GregorioTeX gerendert werden.