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Gregorianischer Choral
"(c3) BE(ef|pe)ne(e|ta)d\u00ed(ef!hhhffe|//dshhpp2///pf1hhlsc2)cam(e_f|pe>1) *(,) \r\nD\u00f3(e!fh|sa)mi(hhh|//tshg)num(h./ijhhhvFE|vi-//tohh////tg1hh) (,) (hhhf|//ds/cllsc2|/hvGE|/ci-|/fe/hf/gffe.|/cl//clS-///vi``pr) (;) \r\nin(e|ta) om(ehg~|pe>)ni(hi|pe) t\u00e9m(i|vi)po(ih/kvJI|/////pohjsu2|/kvJI|/cihilsc2)re:(<nlba>ig/hi!kvvIH|/clhh//vi-hipp2``cihj|//i!jwk|``qlhippt1|/lkk/iji.</nlba>|///clhlor>hi//toS2hi) (,) (hj/iji/jg|pe-hhlsc2tohh!clhh|/hih/ihhg.|//to-1//vi``pr) (:) \r\nsem(g!hi|sa)per(jki/jhhg|////tohi!cl-1hi/cl-hh) laus(gh!i!jwk|ql>hkppt3) e(ih/ih/ijIH|//cl/cl///toS2hhsut1)jus(hhh_e|//dshh/cl-hh) (,) (fgfj|ta/po-1|//iji/jh|//tohh!clhh|/hih/ihhg.|//to-1hh//vi``pr) (;) \r\nin(hf|/cl) o(h!iwjij|vi/qlhh!pohh)re(ji/hhf|/clS-hh///tghh|/hh/jkIH/jvIH|//dshh////pehjsu2///ciSlsc2hi) \r\nme(ihhvFE/hhe|/clS-//ci////tg)(,)(hihi|/tr)o.(ji/jkIH|/clhi///pehjsu2|/ijij|/trhi|/lvJI/jvHF//hhh/fgf.___) (::) \r\n\r\n<sp>V/</sp>. In(e|ta) D\u00f3(e!fh|sa)mi(hhh|//ts)no(h./ijhhhvFE|vi-/tohh////tg1hh) (,) (hhhf/hvGE|///ds//cllsc2///ci-|/fe//hf/gffe.|//cl//clS-//vi``pr) (;) \r\nlau(g!hi~|pe~ppt1)d\u00e1(i|vi)bi(h|ta)tur(h_g|/cl-) \u00e1(h_g/hji|/cl-//tohh)ni(ihhvGF|/clS-/ci-)ma(g_f|/cl-) (,) \r\nme(hf/hhvFE|/cllsc2////tgS3hh|/f!gwh_g|vi/qlhi!clhi)a:(hhhvGF|//ds-ci-|/he//fvED/ed..|/cl///ci-////cl-) (:) \r\n\u00e1u(e|vi>)di(d.c!dwed/ef|/clql!cllsc3vslsc3)ant(e.|vi) \r\nman(d|ta)su(f|vi)\u00e9(h_/ivHEf.|vi-/cihilsc2/vi-hi)(,)(<nlba>f!gwh!ivHE/f./hif.___</nlba>|ql-ppt1cilsc2/vi-/toS)(,)(i/jg/hiHGF.|vi-/clhhlsc2///to-1hhsu2)(,)(i/jg/hiHGF./|vi-/clhh///to-1hhsu2|hghFE.|//posu2hh)(,)(ih/ijIH|/clhg///toS2hhsut1)ti,(hhhvFE/|///ds///ci|ffe/ff|///tg///ds-) (,) (ef!hhhf//hvvGF|///dshhpp2///cl////bv-hgsu2|/he//fvED/ed..|/cl///ci-//cl-) (;) \r\net(ef|peS) lae(hg|/cllsc2)t\u00e9n(hi|peS)tur.(ijIHhg/hv.|pehhsu2////pi//vi) (,) (ijIH[nv:\\definecolor{gregoriocolor}{RGB}{180,57,179}]|/pesu2lsc2|hg/iv./kkkh/ijIG|pi/vi-////dshj//clhi///toS2hisut1|/hig/hvFE/fgffe.[nv:\\definecolor{gregoriocolor}{RGB}{229,53,44}]|///trsu3////pq/pr-) (::)\r\n\r\nBe(ef|pe)ne(e|ta)d\u00ed(ef!hhhffe|//dshhpp2///pf1hhlsc2)cam(e_f|pe>1) (::) \r\n"„Septimus angelicus (Der Siebte ist engelhaft)“
Der 7. Ton (Mixolydisch) gilt als engelhaft, jugendlich und strahlend.
Mit diesem GABC Code kann der Choral z.B. mit GregorioTeX gerendert werden.