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Gregorianischer Choral
"(c4) RE(ffg|vi-pehh)q{u}i(f|ta){em}(f|ta) *() ae(f!gh|sa-)t\u00e9r(hggfg|//cl!pr/vi-)nam(gf..|/cl-) (;)\r\n{do}(f!gh|sa-){na}(hg|/cl) e(h|vi)is(ixhjHG|/////peShhsut2|hw!ivHG|ql-hhsu2) {D\u00f3}(f|ta){mi}(fg!hvGFg|/vihhpp2su2/vi){ne:}(gf..|/cl-) (:)\r\n{et}(hg~|cl~) {l}ux(hvGF|//to) per(h|pe>){p\u00e9}(gh|```vi-qlhi){tu}(gf|pe-1su2vi-)a(f.|///cl-) (;)\r\nl\u00fa(hg|peSsu2){ce}(h|/sa-hh){at}(ixhjHGhw!ivHG|////////clhhql-hhsu2) e(fg!hvGFg!////|/vi-hhpp2su2/vi){is}.(gf..|/cl-) (::Z)\r\n\r\n<i>Ps.</i> {Te}(fg) {de}(gf)cet(gh) hym(h)nus(g) De(ixi)us(h) in(h) {Si}(g){on},(f.) (;)\r\n{et}(h) {ti}(hj){bi}(g) red(f){d\u00e9}(f)tur(f) {vo}(f)tum(g) {in}(fd) {Ie}(f){r\u00fa}(g){sa}(f)lem.(f.) (::) <i>Ant.</i> (f+) R\u00e9quiem.{}(::Z)\r\n\r\n{Qui}(fg) au(gf)dis(gh) o(g)ra(ixi)ti(h)\u00f3(g)nem,(f.) (:)\r\n{ad}(f) {te}(gh) {om}(h)nis(h) {ca}(h){ro}(h) {v\u00e9}(hj){ni}(g){et}(f_) p{r}o(f)p{te}r(f) i(g){ni}(fd)q{u}i(f){t\u00e1}(g)tem.(f.) (::) <i>Ant.</i> (f+) R\u00e9quiem.{}(::Z)\r\n\r\nEt(fg)si(gf) pr\u00e6(gh)va(h)lu(h)\u00e9(h)runt(h) su(h)per(h) nos(h_) (,) {im}(h){pi}(h)e(g){t\u00e1}(ixi)tes(h) no(g)st{r}\u00e6,(f.) (:)\r\ntu(hj) {pro}(g){pi}(f){ti}(f)\u00e1(g){be}(fd)ris(f) e(g){is}.(f.) (::) <i>Ant.</i> (f+) R\u00e9quiem.{}(::Z)\r\n\r\nBe(fg)\u00e1(gf)tus(gh) quem(g) e(g){le}(g)g\u00eds(g){ti}(g) {et}(f) {as}(ixi)s{um}(h){ps\u00eds}(g){ti},(f.) (:) \r\n{in}(f){ha}(gh){bi}(h){t\u00e1}(hj)bit(g_z) {in}(f) \u00e1(g)t{r}i(fd){is}(f) {tu}(g){is}.(f.) (::) <i>Ant.</i> (f+) R\u00e9quiem.{}(::Z)\r\n\r\nRe(fg){pl\u00e9}(gf){bi}(gh)mur(h) {bo}(h)nis(g) do(ixi)mus(h) {tu}(g)\u00e6,(f.) (:) \r\nsa{n}(f)c{ti}(f){t\u00e1}(f){te}(g) t{em}(fd){pli}(f) {tu}(g)i.(f.) (::) <i>Ant.</i> (f+) R\u00e9quiem.{}()"„Sextus devotus (Der Sechste ist fromm)“
Der 6. Ton (Hypolydisch) ist zart, fromm und oft kindlich-lieblich.
Mit diesem GABC Code kann der Choral z.B. mit GregorioTeX gerendert werden.