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Gregorianischer Choral
"(c4) IN(h) plau(hhg)su(ed) gr\u00e1(g)ti(hj) c\u00e1r(ji)mi(hi)ni(i) (,) ad(k)sit(kj) no(i)va(ji) l\u00e6(h)t\u00ed(ih)ti(gh)a(h) (;) dum(k) De(k)i(i) ma(k)tris(klk) V\u00edr(j)gi(i)nis(hiHG) (,) su(i)mit(jk) vi(i)ta(ji) prin(h)c\u00ed(ih)pi(gh)a.(h) (::)\r\n\r\n2. Ma(h)r\u00ed(hhg)a,(ed) mun(g)di(hj) gl\u00f3(ji)ri(hi)a,(i) (,) lu(k)cis(kj) \u00e6(i)t\u00e9r(ji)n\u00e6(h) f\u00ed(ih)li(gh)a,(h) (;) te(k) pr\u00e6(k)ser(i)v\u00e1(k)vit(klk) Fi(j)li(i)us(hiHG) (,) ab(i) om(jk)ni(i) la(ji)be(h) p\u00e9(ih)ni(gh)tus.(h) (::)\r\n\r\n3. O(h)ri(hhg)gi(ed)na(g)lis(hj) m\u00e1(ji)cu(hi)la(i) (,) cun(k)cta(kj) res(i)p\u00e9r(ji)sit(h) s\u01fd(ih)cu(gh)la;(h) (;) so(k)la(k) post(i) Na(k)tum(klk) v\u00ed(j)ti(i)is(hiHG) (,) num(i)quam(jk) con(i)t\u00e1c(ji)ta(h) d\u00ed(ih)ce(gh)ris.(h) (::)\r\n\r\n4. Ca(h)put(hhg) ser(ed)p\u00e9n(g)tis(hj) c\u00e1(ji)lli(hi)di(i) (,) tu(k)o(kj) pe(i)de(ji) con(h)t\u00e9(ih)ri(gh)tur;(h) (;) fas(k)tus(k) gi(i)g\u00e1n(k)tis(klk) p\u00e9r(j)fi(i)di(hiHG) (,) Da(i)vid(jk) fun(i)da(ji) de(h)v\u00edn(ih)ci(gh)tur.(h) (::)\r\n\r\n5. Co(h)l\u00fam(hhg)ba(ed) mi(g)tis,(hj) h\u00fa(ji)mi(hi)lis,(i) (,) fers,(k) ca(kj)rens(i) fel(ji)le(h) cr\u00ed(ih)mi(gh)nis,(h) (;) sig(k)num(k) De(i)i(k) cle(klk)m\u00e9n(j)ti(i)\u00e6,(hiHG) (,) ra(i)mum(jk) vi(i)r\u00e9n(ji)tis(h) gr\u00e1(ih)ti(gh)a.(h) (::)\r\n\r\n6. Pa(h)tri(hhg) sit(ed) et(g) Pa(hj)r\u00e1(ji)cli(hi)to,(i) (,)\r\ntu(k)\u00f3(kj)que(i) Na(ji)to(h) gl\u00f3(ih)ri(gh)a,(h) (;)\r\nqui(k) san(k)cti(i)t\u00e1(k)tis(klk) \u00fa(j)ni(i)c\u00e6(hiHG) (,)\r\nte(i) mu(jk)ne(i)r\u00e1(ji)runt(h) gr\u00e1(ih)ti(gh)a.(h) (::) A(hih)men.(gh) (::)"„Secundus tristis (Der Zweite ist traurig)“
Der 2. Ton (Hypodorisch) hat oft einen ruhigen, traurigen und demütigen Charakter.
Mit diesem GABC Code kann der Choral z.B. mit GregorioTeX gerendert werden.