Seite wird geladen …
Seite wird geladen …
Gregorianischer Choral
"(c3)BE(e)ne(ef)d\u00ed(fg)cta(e.) sem(f)per(e) sit(f) be(e)\u00e1(h)ta(g) Tr\u00ed(e)ni(f)tas,(e.;) D\u00e9(f)i(g)tas(e) sc\u00ed(e)li(d)cet(c) \u00fa(d)ni(e)ca,(e.,) co(f)\u00e6(g)qu\u00e1(f)lis(e) gl\u00f3(d)ri(e)a.(e.) (::)\r\n 2.() Pa(h)ter,(g) F\u00ed(e)li(f)us,(e.,) San(h)ctus(g) Sp\u00ed(e)ri(f)tus,(e.;) tri(f)a(g) sunt(e) n\u00f3(e)mi(d)na,(c) \u00f3m(d)ni(e)a(e.,) \u00e9(f)a(g)dem(f) sub(e)st\u00e1n(d)ti(e)a.(e.) 3.(::) De(h)us,(g) g\u00e9(e)ni(f)tor,(e.,) De(h)us(g) g\u00e9(e)ni(f)tus,(e.;) in(f) u(g)tr\u00f3(e)que(e) sa(d)cer(c) Sp\u00ed(d)ri(e)tus(e.,) De(f)i(g)t\u00e1(f)te(e) s\u00f3(d)ci(e)us.(e.) (::)\r\n 4.() Pro(e)pr\u00ed(i)e(h)tas(i) in(ij) per(i)s\u00f3(hg)nis,(f.) (;) \u00fa(h)ni(f)tas(h) est(i) et(gh) in(f) es(e)s\u00e9n(d)ti(e)a.(e.) 5.(::) Ma(e)j\u00e9(i)stas(h) par(i) et(ij) po(i)t\u00e9(hg)stas,(f.) (;) de(h)cus,(f) ho(h)nor(i) \u00e6(gh)que(f) per(e) os(d)mni(e)a.(e.) (::)\r\n 6.() S\u00ed(e) de(e)ra(e) m\u00e1(d)ri(cb)a(a) c\u00f3n(b)ti(c)nens,(d.) (;) ar(f)va(e) si(h)mul(f.,) et(h) u(i)ni(gh)v\u00e9r(f)sa(e) c\u00f3n(d)di(e)ta.(e.) 7.(::) Quem(e) tre(e)munt(e) \u00edm(d)pi(cb)a(a) t\u00e1r(b)ta(c)ra,(d.) (;) co(f)lit(e) quo(h)que(f.,) quem(h) et(i) a(gh)b\u00fds(f)sus(e) \u00edn(d)fi(e)ma.(e.) (::)\r\n 8.() Nunc(e) om(i)nis(h) vox(i) at(ij)que(i) lin(hg)gua(f.;) fa(h)te(f)\u00e1(h)tur(i) hunc(gh) lau(f)de(e) d\u00e9(d)bi(e)ta;(e.) 9.(::) Quem(e) lau(i)dat(h) sol(i) at(ij)que(i) lu(hg)na,(f.;) d\u00ed(h)gni(f)tas(h) a(i)d\u00f3(gh)rat(f) an(e)g\u00e9(d)li(e)ca.(e.) (::)\r\n 10.() Et(i) nos,(h) vo(i)ce(h) pr\u00e6(i)c\u00e9l(i)sa,(h.,) mo(k)du(j)l\u00e9(k)mur(l) or(k)g\u00e1(j)ni(k)ca(l) c\u00e1n(k)ti(j)ca,(i.,) dul(j)ci(i) me(i)l\u00f3(h)di(i)a.(i.) 11.(::) E(i)ia(h) et(i) e(h)ia(i) si(i)mul(h.,) ju(k)bi(j)l\u00e9(k)mus(l) al(k)ti(j)thr\u00f3(k)no(l) D\u00f3(k)mi(j)no(i.,) lau(j)des(i) in(i) ex(h)c\u00e9l(i)sis.(i.) (::)\r\n 12() O(i) a(h)do(f)r\u00e1n(g)da(fe) Tr\u00ed(d)ni(e)tas!(e.) 13.(::) O(i) ve(h)ne(f)r\u00e1n(g)da(fe) U(d)ni(e)tas!(e.) (::)\r\n 14.() Per(d) te(f) su(h)mus(h) cre(f)\u00e1(gf)ti,(e.,) ve(f)ra(d) \u00e6(fg)t\u00e9r(f)ni(e)tas.(e.) 15.(::) Per(d) te(f) su(h)mus(h) re(f)d\u00e9m(gf)pti,(e.,) sum(f)ma(d) tu(fg) c\u00e1(f)ri(e)tas.(e.) (::)\r\n 16.() P\u00f3(i)pu(h)lum(i) cun(i)ctum(h) tu(f) pr\u00f3(g)te(f)ge,(e.) (;) sal(d)va,(f) l\u00ed(h)be(g)ra,(f.,) \u00e9(g)ri(f)pe(e) et(f) e(g)m\u00fan(f)da.(e.) 17.(::) Te(i) a(h)do(i)r\u00e1(i)mus,(h) om(f)n\u00ed(g)po(f)tens,(e.) (;) ti(d)bi(f) c\u00e1(h)ni(g)mus:(f.,) ti(g)bi(f) laus(e) et(f) gl\u00f3(g)ri(f)a.(e.) (::)\r\nA(efe)men.(d.e.) (::)\r\n"„Octavus perfectus (Der Achte ist vollkommen)“
Der 8. Ton (Hypomixolydisch) wird als weise, würdevoll und vollkommen beschrieben.
Mit diesem GABC Code kann der Choral z.B. mit GregorioTeX gerendert werden.