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Gregorianischer Choral
"(c2) Si(d)cut(c) pra(f)tum(f) pi(h)ctu(f)r\u00e1(g)tur,(g) (;) Et(i) ver(i) ver(g)nis(g) fl\u00f3(f)ri(f)bus,(h) (:) Ma(f)ter(h) De(h)i(g) fi(f)gu(g)r\u00e1(g)tur(d) (;) My(f)sti(e)cis(d) no(g)m\u00ed(e)ni(f)bus.(f) 2.(::) H\u00e6c(d) est(c) no(f)stra(f) Su(h)na(f)m\u00ed(g)tis,(g) (;) No(i)stra(i) tym(g)pa(g)n\u00ed(f)stri(f)a,(h) (:) Vi(f)a(h) vi(h)t\u00e6,(g) ve(f)ra(g) vi(g)tis,(d) (;) Et(f) cel(e)la(d) vi(g)n\u00e1(e)ri(f)a.(f) 3.(::) H\u00e6c(h) est(g) spon(f)sa(g) Sa(i)lo(g)m\u00f3(f)nis,(h) (;) Fer(e)men(f)t\u00e1(d)trix(c) f\u00e9(f)mi(g)na,(h) (:) Qua(j) ve(g)t\u00fa(i)sta(i) Pha(h)ra(g)\u00f3(h)nis(g) (;) Re(f)le(g)v\u00e1(e)tur(d) s\u00e1r(c)ci(f)na.(f) 4.(::) H\u00e6c(h) lu(g)c\u00e9r(f)na,(g) Pa(i)ra(g)d\u00ed(f)si(h) (;) O(e)sti(f)um(d) et(c) j\u00e1(f)nu(g)a:(h) (:) H\u00e6c(j) ver(g)v\u00e9(i)cis(i) est(h) oc(g)c\u00ed(h)si(g) (;) G\u00e9(f)ni(g)trix(e) in(d)g\u00e9(c)nu(f)a.(f) 5.(::) H\u00e6c(f) est(h) tur(j)ris(g) quam(i) val(h)l\u00e1(i)vit(g) (;) In(e)cor(f)r\u00fap(g)ta(h) f\u00edr(i)mi(g)tas;(h) (:) H\u00e6c(j) ca(g)st\u00e9l(i)lum(i) quod(h) in(g)tr\u00e1(h)vit(f) (;) So(e)la(f) Ver(g)bi(e) v\u00e9(g)ri(f)tas.(f) 6.(::) H\u00e6c(f) est(h) sc\u00edr(j)pe(g)ra(i) fi(h)sc\u00e9l(i)la(g) (;) P\u00e1r(e)vu(f)lum(g) ex(h)c\u00ed(i)pi(g)ens;(h) (:) H\u00e6c(j) est(g) pa(i)rens(i) et(h) pu(g)\u00e9l(h)la(f) (;) Si(e)ne(f) pa(g)tre(e) p\u00e1(g)ri(f)ens.(f) 7.(::) Vir(c)go,(d) vir(d)ga(c) nun(f)cu(g)p\u00e1(h)ris,(g) (;) Tem(i)plum,(g) vas(h) sa(h)cr\u00e1(e)ri(f)um,(g) (:) Por(h)ta(g) clau(g)sa,(d) lux(e) so(d)l\u00e1(d)ris,(c) (;) C\u00e6(f)li(f) lu(d)mi(d)n\u00e1(g)ri(g)um.(f) 8.(::) Ru(c)bus(d) ar(d)dens,(c) ma(f)dens(g) vel(h)lus(g) (;) Ge(i)de(g)\u00f3(h)nis(h) \u00e1(e)re(f)a;(g) (:) Fons(h) si(g)gn\u00e1(g)tus,(d) fe(e)rax(d) tel(d)lus,(c) (;) Gra(f)num(f) si(d)ne(d) p\u00e1(g)le(g)a.(f) 9.(::) Gut(j)ta,(h) nar(i)dus,(j) mel,(i) pi(g)gm\u00e9n(i)tum,(h) (;) Ra(g)dix(h) a(f)ro(h)m\u00e1(i)ti(g)ca;(h) (:) Pal(f)ma,(h) pal(i)mes,(j) pa(k)vi(i)m\u00e9n(k)tum,(j) (;) Pi(h)sc\u00ed(h)na(g) pro(i)b\u00e1(g)ti(g)ca.(f) 10.(::) Bo(j)trus,(h) u(i)va(j) fa(i)vus,(g) hor(i)tus,(h) (;) Th\u00e1(g)la(h)mus,(f) tri(h)cl\u00ed(i)ni(g)um,(h) (:) Ar(f)ca,(h) na(i)vis,(j) au(k)ra,(i) por(k)tus,(j) (;) Lu(h)na,(h) lam(g)pas,(i) \u00e1(g)tri(g)um.(f) 11.(::) Tu(h) co(g)l\u00fam(f)ba,(c) tu(d) co(c)l\u00fa(f)mna,(f) (;) Tu(e) vit(f)ta(g) coc(i)c\u00ed(g)ne(f)a;(h) (:) Tu(j) es(j) al(h)trix,(k) tu(i) a(i)l\u00fa(g)mna,(j) (;) Tu(h) En(h)g\u00e1d(g)di(g) v\u00ed(e)ne(f)a.(f) 12.(::) Tu(h)i(g) Pa(f)tris(c) tu,(d) Ma(c)r\u00ed(f)a,(f) (;) Ma(e)ter(f) es(g) et(i) f\u00ed(g)li(f)a;(h) (:) Er(j)go(j) Pa(h)tri,(k) Ma(i)ter(i) pi(g)a,(j) (;) Na(h)tos(h) re(g)con(g)c\u00ed(e)li(f)a.(f) (::) A(fgf)men.(ef) (::)"„Sextus devotus (Der Sechste ist fromm)“
Der 6. Ton (Hypolydisch) ist zart, fromm und oft kindlich-lieblich.
Mit diesem GABC Code kann der Choral z.B. mit GregorioTeX gerendert werden.