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Gregorianischer Choral
"(c3) A(e)ve(f) Vir(g)go(e) v\u00edr(g)gi(h)num,(i) (;) A(h)ve(g) lu(f)men(f) l\u00fa(e)mi(f)num,(g) (;) A(i)ve(f) stel(h)la(g) pr\u00e6(f)vi(f)a.(e) (::z) 2.() Me(e)di(f)\u00e1(g)trix(e) h\u00f3(g)mi(h)num,(i) (;) A(h)blu(g)tr\u00edx(f)que(f) cr\u00ed(e)mi(f)num,(g) (;) A(i)ve(f) Vir(h)go(g) r\u00e9(f)gi(f)a.(e) (::z) 3.() Ca(i)sti(i)t\u00e1(g)tis(h) l\u00ed(i)li(i)um,(f) (;) Con(h)so(h)l\u00e1(j)trix(j) \u00f3(i)mni(i)um,(g) (;) Pec(h)ca(h)t\u00f3(f)rum(f) v\u00e9(g)ni(g)a.(e) (::z) 4.() Mun(i)da(i) sor(g)des(h) sc\u00e9(i)le(i)rum,(f) (;) Ci(h)ca(h)tr\u00ed(j)ces(j) v\u00fal(i)ne(i)rum(g) (;) Ter(h)ge,(h) ple(f)na(f) gr\u00e1(g)ti(g)a.(e) (::z) 5.() De(g) pec(h)c\u00e1(i)ti(i) v\u00edn(h)cu(f)lo,(g) (;) Ho(e)ste,(f) car(g)ne,(g) s\u00e6(f)cu(e)lo,(f) (;) L\u00ed(i)be(i)ra(h) nos,(j) Ma(i)r\u00ed(i)a.(g) (::z) 6.() Tu(g) no(h)strum(i) re(i)f\u00fa(h)gi(f)um,(g) (;) Da(e) re(f)is(g) re(g)m\u00e9(f)di(e)um,(f) (;) Pro(i)cul(i) pel(h)le(j) v\u00ed(i)ti(i)a.(g) (::z) 7.() In(i)f\u00edr(g)mos(h) tu(i) v\u00ed(j)si(i)ta,(h) (;) M\u00f3r(k)tu(j)os(i) re(j)s\u00fa(g)sci(h)ta,(i) (;) Da(j) m\u00e6(i)stis(g) so(h)l\u00e1(f)ti(f)a.(e) (::z) 8.() Per(i) te(g) ju(h)stis(i) gr\u00e1(j)ti(i)a,(h) (;) Per(k) te(j) re(i)is(j) v\u00e9(g)ni(h)a(i) (;) Da(j)tur(i) et(g) l\u00e6(h)t\u00ed(f)ti(f)a.(e) (::z) 9.() Vir(f)go(e) ca(d)rens(f) s\u00ed(h)mi(g)li,(f) (;) Tu(g) qu\u00e6(h) mun(i)do(h) fl\u00e9(k)bi(j)li(i) (;) Con(g)tu(h)l\u00ed(f)sti(d) gau(f)di(e)a.(e) (::z) 10.() Nos(f) di(e)gn\u00e9(d)ris(f) v\u00ed(h)se(g)re,(f) (;) Ut(g) cum(h) Chri(i)sto(h) v\u00ed(k)ve(j)re(i) (;) Pos(g)s\u00ed(h)mus(f) in(d) gl\u00f3(f)ri(e)a.(e) (::z) A(efe)men.(de) (::)"„Septimus angelicus (Der Siebte ist engelhaft)“
Der 7. Ton (Mixolydisch) gilt als engelhaft, jugendlich und strahlend.
Mit diesem GABC Code kann der Choral z.B. mit GregorioTeX gerendert werden.