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Gregorianischer Choral
"(c4)Ve(e)n\u00ed(g)te,(h) ex(h)sul(h)t\u00e9(h)mus(g) D\u00f3(h!ij)mi(ivHG)no,(h) (;) iu(e)bi(g)l\u00e9(h)mus(g) De(hi)o(h) sa(g)lu(fvED)t\u00e1(de)ri(g) no(ef)stro:(e) (:)\r\npr\u00e6(e)oc(g)cu(h)p\u00e9(h)mus(h) f\u00e1(h)ci(h)em(g) e(h!ij)ius(ih) in(g) con(fvED)fes(de)si(gf)\u00f3(edf)ne,(ed) (:) et(c) in(df) psal(ef)mis(edd) (,1) iu(d)bi(e)l\u00e9(f)mus(gf/gh) e(gvFED)i.(e) (::)\r\n\r\nQu\u00f3(e)ni(g)am(h) De(h)us(h) ma(h)gnus(g) D\u00f3(h!ij)mi(ivHG)nus,(h) (;) et(e) rex(g) ma(h)gnus(h) su(g)per(fvED) om(de)nes(g) De(ef)os:(e) (:) qui(e)a(g) in(h) ma(h)nu(g) e(hi)ius(h) sunt(h) om(g)nes(fvED) fi(de)nes(gf) ter(edf)r\u00e6,(edd) (:) et(c) al(df)ti(f)t\u00fa(f)di(f)nes(f) m\u00f3n(ef)ti(ed)um(d) (,1) i(e)pse(f) c\u00f3n(gf/gh)spi(gvFED)cit.(e) (::)\r\n\r\nQu\u00f3(e)ni(g)am(h) i(h)ps\u00ed(h)us(h) est(h) ma(h)re,(h) et(h) i(h)pse(h) fe(h)cit(g) il(h!ij)lud,(ih) (;) et(e) \u00e1(g)ri(h)dam(h) fun(h)da(h)v\u00e9(g)runt(fvED) ma(de)nus(g) e(ef)ius;(e) (:)\r\nVe(e)n\u00ed(g)te,(h) a(h)do(h)r\u00e9(h)mus,(h) (,3) et(h) pro(h)ci(h)d\u00e1(h)mus(h) an(h)te(g) De(h!ij)um:(ih) (;) plo(e)r\u00e9(g)mus(h) co(h)ram(h) D\u00f3(h)mi(h)no(h) qui(g) fe(hi)cit(hg) nos,(h) (;) qui(e)a(g) i(h)pse(h) est(h) D\u00f3(h)mi(g)nus(fvED) De(de)us(gf) no(edf)ster;(edd) (:) nos(c) au(df)tem(f) p\u00f3(f)pu(f)lus(f) e(f)ius,(f) (,1) et(f) o(ef)ves(ed) p\u00e1(e)scu(f)\u00e6(gf/gh) e(gvFED)ius.(e) (::)\r\n\r\nH\u00f3(e)di(g)e(h) si(h) vo(h)cem(h) e(h)ius(h) au(h)di(g)\u00e9(h!ij)ri(ivHG)tis,(h) (;) no(e)l\u00ed(g)te(h) ob(h)du(h)r\u00e1(g)re(fvED) cor(de)da(g) ve(ef)stra,(e) (:) si(e)cut(g) in(h) e(h)xa(h)cer(h)ba(h)ti(h)\u00f3(h)ne(h) se(h)c\u00fan(h)dum(g) di(h!ij)em(ih) (,4) ten(e)ta(g)ti(h)\u00f3(h)nis(h) in(h) de(g)s\u00e9r(hi)to:(h) (;) u(e)bi(g) ten(h)ta(h)v\u00e9(h)runt(g) me(fvED) pa(de)tres(gf) ve(edf)stri,(edd) (:) pro(c)ba(df)v\u00e9(f)runt(f) et(f) vi(f)d\u00e9(ef)runt(ed) (,1) \u00f3(e)pe(f)ra(gf/gh) me(gvFED)a.(e) (::)\r\n\r\nQua(e)dra(g)g\u00edn(h)ta(h) an(h)nis(h) pr\u00f3(h)xi(h)mus(h) fu(h)i(h) ge(h)ne(h)ra(h)ti(h)\u00f3(h)ni(g) hu(h!ij)ic,(ih) (,3) et(e) di(g)xi:(h) Sem(h)per(g) hi(fvED) er(de)rant(g) cor(ef)de;(e) (:) i(e)psi(g) ve(h)ro(h) non(h) co(h)gno(h)v\u00e9(h)runt(h) vi(h)as(g) me(h!ij)as:(ih) (;) qui(e)bus(g) iu(h)r\u00e1(h)vi(g) in(fvED) i(de)ra(gf) me(edf)a:(edd) (:) Si(c) in(df)tro(f)\u00ed(ef)bunt(ed) (,1) in(d) r\u00e9(e)qui(f)em(gf/gh) me(gvFED)am.(e) (::)\r\n\r\nGl\u00f3(e)ri(g)a(h) Pa(h)tri,(h) et(g) F\u00ed(h!ij)li(ivHG)o,(h) (,3) et(h) Spi(g)r\u00ed(fvED)tu(de)i(g) San(ef)cto.(e) (:) Si(e)cut(g) e(h)rat(h) in(h) prin(g)c\u00ed(h!ij)pi(ivHG)o,(h) (,4) et(gvFED) nunc,(de) et(gf) sem(edf)per,(edd) (;) et(c) in(df) s{<sp>'ae</sp>}(ef)cu(ed)la(d) s\u00e6(d)cu(e)l\u00f3(f)rum.(gf/gh) A(gvFED)men.(e) (::)\r\n"„Quartus harmonicus (Der Vierte ist harmonisch)“
Der 4. Ton (Hypophrygisch) wirkt oft süß, schmeichelnd und harmonisch friedvoll.
Mit diesem GABC Code kann der Choral z.B. mit GregorioTeX gerendert werden.