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Gregorianischer Choral
"(cb3)L\u00f2ng(d) tin(f) v\u1eefng(h) kh\u00f4n(h) nghi(hi) nan,(h.) (,)\r\nB\u1edfi(g) Gi\u00ea-(f)su(e) truy\u1ec1n(d) r\u1eb1ng:(d.) (;)\r\nL\u00f2ng(d) Cha(f) m\u00e3i(h) th\u01b0\u01a1ng(h) nh\u01a1n(hi) d\u00e2n,(h.) (,)\r\n\u1ede(g) lu\u00f4n(f) n\u01a1i(e) ph\u00e0m(d) tr\u1ea7n.(d.) (:)\r\nH\u1eb1ng(h) ng\u00e0y(h) Cha(ij) nh\u1eefng(k) mu\u1ed1n(kj) g\u1ea7n(h) (,)\r\nC\u00e1c(i) con(h) \u1edf(g) th\u1ebf(f) gian,(e.) (;)\r\nH\u1ea7u(f) gi\u00fap(h) \u0111\u1ee1(g) khi(f) nguy(ed) nan(e.) (,)\r\nCh\u1ed1ng(f) c\u00f9ng(d) m\u01b0u(e) t\u00e0(d) th\u1ea7n.(d.) (::)\r\n2.\r\nN\u1ea7y(d) Cha(f) \u0111\u00e3(h) qu\u00ean(h) vinh(hi) sang(h.) (,)\r\n\u0110\u1ec3(g) th\u00e2n(f) cho(e) lo\u00e0i(d) ph\u00e0m!(d.) (;)\r\n\u0110\u00e0nh(d) che(f) \u1ea9n(h) Ng\u00f4i(h) cao(hi) quang,(h.) (,) \r\nB\u1edfi(g) khoan(f) nh\u01a1n(e) l\u00f2ng(d) l\u00e0nh.(d.) (:)\r\nM\u00e0(h) kia(h) \u00f4i!(ij) M\u1ea5y(k) k\u1ebb(kj) m\u00e0ng(h) (,)\r\n\u0110\u00e1p(i) \u01a1n(h) ngh\u0129a(g) v\u00f4(f) ng\u1eb1n.(e.) (;)\r\nK\u00eca(f) l\u1eafm(h) k\u1ebb(g) nh\u01b0(f) v\u00f4(ed) t\u00e2m(e.) (,)\r\n\u0110\u00e1ng(f) l\u00f2ng(d) Cha(e) ph\u00e0n(d) n\u00e0n.(d.) (::)\r\n3.\r\n\u0110\u1ec1n(d) mu\u00f4n(f) l\u1ed7i(h) cho(h) nh\u01a1n(hi) d\u00e2n(h.) (,) \r\nT\u1eed(g) oan(f) treo(e) m\u00ecnh(d) tr\u1ea7n!(d.) (;)\r\nNg\u00e0y(d) x\u01b0a(f) \u0111\u00e3(h) d\u00e2ng(h) nguy\u00ean(hi) th\u00e2n(h.) (,)\r\nL\u1ec5(g) Mis-(f)sa(e) h\u01b0\u1eddn(d) th\u00e0nh,(d.) (:)\r\nM\u00e0(h) ng\u00e0y(h) nay(ij) m\u1ed7i(k) th\u00e1nh(kj) b\u00e0n(h) (,)\r\nC\u00f3(i) lu\u00f4n(h) l\u1ec5(g) hy(f) sinh(e.) (;)\r\nD\u1ea7u(f) m\u00e1u(h) ch\u1eb3ng(g) tu\u00f4n(f) tr\u00ean(ed) kh\u0103n,(e.) (,)\r\nV\u1ed1n(f) c\u00f2n(d) d\u00e2ng(e) \u0111\u00e0nh(d) r\u00e0nh.(d.) (::)\r\n4.\r\nL\u00f2ng(d) l\u00e2n(f) m\u1eabn(h) kh\u00f4ng(h) so(hi) \u0111ang(h.) (,)\r\nX\u1ebb(g) th\u00e2n(f) nu\u00f4i(e) ng\u01b0\u1eddi(d) ph\u00e0m!(d.) (;)\r\nK\u00eca(d) Vua(f) c\u1ea3(h) ban(h) cho(hi) d\u00e2n(h.) (,) \r\nC\u1ee7a(g) \u0103n(f) nu\u00f4i(e) lo\u00e0i(d) th\u1ea7n.(d.) (:)\r\nD\u1ea7u(h) l\u00f2ng(h) ta(ij) ch\u1eb3ng(k) t\u1ed1t(kj) l\u00e0nh(h) (,)\r\nCh\u00faa(i) th\u01b0\u01a1ng(h) \u0111\u00e3(g) trao(f) ban,(e.) (;)\r\nM\u00ecnh(f) Ch\u00faa(h) d\u01b0\u1ee1ng(g) nu\u00f4i(f) kh\u01b0\u01a1ng(ed) an(e.) (,)\r\nX\u00e1c(f) h\u1ed3n(d) n\u01a1i(e) ph\u00e0m(d) tr\u1ea7n.(d.) (::)\r\n5.\r\nLo\u00e0i(d) nh\u01a1(f) b\u1ea9n(h) n\u00ean(h) cao(hi) sang(h.) (,)\r\nB\u1edfi(g) Gi\u00ea-(f)su(e) \u0111\u1ed3ng(d) b\u00e0n!(d.) (;)\r\nNg\u01b0\u1eddi(d) \u0111au(f) kh\u1ed5(h) tua(h) h\u00e2n(hi) hoan(h.) (,)\r\nB\u1edfi(g) Gi\u00ea-(f)su(e) k\u1ec1(d) g\u1ea7n!(d.) (:)\r\n\u0110\u1eddi(h) c\u1ea7m(h) giam(ij) c\u00f3(k) ph\u01b0\u1edbc(kj) ph\u1ea7n(h) (,)\r\nCh\u00faa(i) th\u01b0\u01a1ng(h) k\u1ebb(g) gian(f) nan.(e.) (;)\r\nTh\u1edd(f) k\u00ednh(h) h\u00e3y(g) cho(f) si\u00eang(ed) n\u0103ng(e.) (,)\r\nPh\u01b0\u1edbc(f) \u0111\u1eddi(d) sau(e) \u0111\u1ea7y(d) tr\u00e0n.(d.) (::)\r\n6.\r\nNg\u00e0y(d) an(f) kh\u1ecfe(h) \u01a1n(h) tr\u00ean(hi) ban(h.) (,)\r\nH\u00e3y(g) v\u00e2ng(f) nghe(e) l\u00e0m(d) l\u00e0nh.(d.) (;)\r\n\u0110\u1eebng(d) qu\u00ean(f) b\u1ecf(h) Cha(h) nh\u01a1n(hi) khoan(h.) (,)\r\nPh\u1ea3i(g) \u01b0u(f) t\u01b0(e) nhi\u1ec1u(d) l\u1ea7n.(d.) (:)\r\nTh\u00ec(h) ng\u00e0y(h) ta(ij) s\u1eafp(k) ng\u00e3(kj) tr\u1ea7n.(h) (,)\r\nCh\u00faa(i) th\u01b0\u01a1ng(h) s\u1ebd(g) vi\u1ebfng(f) th\u0103m,(e.) (;)\r\nCh\u1ea7y(f) k\u00edp(h) s\u1ebd(g) cho(f) si\u00eau(ed) th\u0103ng.(e.) (,)\r\nCh\u1ed1n(f) th\u01b0\u1eddng(d) sinh(e) t\u00f2a(d) v\u00e0ng.(d.) (::)\r\n"„Quintus laetus (Der Fünfte ist fröhlich)“
Der 5. Ton (Lydisch) steht traditionell für Freude, Trost und Zuversicht.
Mit diesem GABC Code kann der Choral z.B. mit GregorioTeX gerendert werden.