Seite wird geladen …
Seite wird geladen …
Gregorianischer Choral
"(c4)\u0110ua(e) nhau(e) tr\u1ed7i(f) ca(ed) vi\u1ec7c(g) l\u1ea1(g) kh\u00f4n(hj) xi\u1ebft(j.) (,)\r\nB\u1edfi(jk) th\u01b0\u01a1ng(j) n\u00ean(j) ra(i) \u0111\u1eddi(h) gi\u1eefa(j) con(ivHG.) (:)\r\nNg\u00e0y(g) \u0111\u00eam(h) \u1ea9n(j) n\u01b0\u01a1ng(i) n\u01a1i(h) tr\u1ea7n(g) gian(h) n\u1ea7y.(h.) (,)\r\nTrong(h) ph\u00e9p(i) nhi\u1ec7m(g) \u01a1n(g) Ng\u01b0\u1eddi(e) tr\u1eef(h) d\u1eaby(h.) \u0111\u1ea7y,(d.) (:)\r\nN\u1ea7y(e) B\u1ea1n(g) linh(g) h\u1ed3n,(e) th\u1eadt(g) Cha(h) nh\u01a1n(h) hi\u1ec1n.(g.) (,)\r\nTrong(h) x\u00f3(i) t\u00f9(g) th\u1eb3m(hg) g\u1ecdi(fe) m\u1eddi(d) li\u00ean.(e.) (::)\r\n2. Trong(e) \u0111\u00eam(e) kh\u1ed5(f) nguy,(ed) b\u1ecdn(g) ngh\u1ecbch(g) toan(hj) gi\u1ebft,(j.) (,)\r\nNh\u1eefng(jk) \u01b0u(j) t\u01b0(j) kh\u00f4ng(i) \u0111\u00e0nh(h) b\u1ecf(j) con.(ivHG.) (:)\r\nB\u00e0y(g) ra(h) l\u1ec5(j) Mi-(i)sa(h) h\u1eb1ng(g) d\u00e2ng(h) m\u00ecnh.(h.) (,)\r\nN\u00ean(h) ch\u1ee9ng(i) th\u1eadt(g) s\u1ef1(g) Ng\u01b0\u1eddi(e) \u0111\u00e3(h) t\u1eed(h.) h\u00ecnh.(d.) (:)\r\n\u0110\u1ed3ng(e) hi\u1ec7p(g) m\u1ed9t(g) l\u00f2ng(e) t\u1ea1(g) \u01a1n(h) Cha(h) l\u00e0nh.(g.) (,)\r\nCon(h) kh\u1ea9n(i) nguy\u1ec1n(g) ch\u00fac(hg) s\u1ef1(fe) b\u00ecnh(d) an.(e.) (::)\r\n3. Ng\u00f4i(e) Hai(e) c\u1ea3(f) sang(ed) ch\u1ecdn(g) M\u1eb9(g) trinh(hj) khi\u1ebft(j.) (,)\r\nN\u1eef(jk) Ma-(j)ri-(j)a(i) h\u1eb1ng(h) d\u1ea5u(j) y\u00eau.(ivHG.) (:)\r\nD\u00e0y(g) c\u00f4ng(h) d\u01b0\u1ee1ng(j) n\u01b0\u01a1i,(i) tay(h) b\u1ed3ng(g) vui(h) m\u1ea7ng.(h.) (,)\r\nKhi(h) Ch\u00faa(i) ch\u1ecbu(g) n\u1ea1n,(g) Ng\u01b0\u1eddi(e) \u01b0\u1edbc(h) ch\u1ebft(h.) c\u00f9ng.(d.) (:)\r\nNh\u1edd(e) M\u1eb9(g) d\u00f2n(g) l\u00f2ng(e) m\u1ecdn(g) con(h) thanh(h) tuy\u1ec1n(g.) (,)\r\nCho(h) x\u1ee9ng(i) v\u00e0o(g) h\u01b0\u1edbng(hg) ti\u1ec7c(fe) th\u01b0\u1eddng(d) sinh.(e.) (::)\r\n4. Kh\u00f4n(e) sao(e) tr\u1ea3(f) \u01a1n(ed) c\u1ef1c(g) tr\u1ecdng(g) th\u01b0\u01a1ng(hj) x\u00f3t(j.) (,)\r\nB\u1edfi(jk) th\u01b0\u01a1ng(j) con(j) kh\u00f4ng(i) n\u1ec7(h) gi\u1ea3ng(j) khuy\u00ean.(ivHG.) (:)\r\n\u0110\u00e0nh(g) lao(h) kh\u1ed5(j) ba(i) n\u0103m(h) n\u00e0o(g) than(h) phi\u1ec1n,(h.) (,)\r\nL\u00e2n(h) \u00e1i(i) nh\u00ecn(g) nh\u1ee5c(g) ng\u01b0\u1eddi(e) ch\u1eb3ng(h) ngh\u0129(h.) m\u00e0ng.(d.) (:)\r\nD\u1ea7u(e) t\u1ed9i(g) l\u1ee5y,(g) th\u00e0nh(e) th\u1eadt(g) \u0103n(h) n\u0103n(h) ch\u1eeba(g.) (,)\r\nCha(h) r\u01b0\u1edbc(i) v\u00e0o(g) x\u00f3a(hg) t\u1ed9i(fe) ng\u00e0y(d) x\u01b0a.(e.) (::)\r\n5. Gi\u00ea-(e)su(e) ch\u1ee7(f) ch\u0103n(ed) nhi\u1ec7m(g) l\u1ea1(g) y\u00eau(hj) d\u1ea5u,(j.) (,)\r\n\u0110\u1ec3(jk) g\u01b0\u01a1ng(j) cho(j) t\u00f4ng(i) \u0111\u1ed3(h) d\u00f5i(j) theo.(ivHG.) (:)\r\nR\u00e0y(g) n\u00ean(h) c\u1ee7a(j) hy(i) sinh(h) v\u00ec(g) nh\u01a1n(h) lo\u00e0i(h.) (,)\r\nBan(h) ph\u00e9p(i) d\u1ecdn(g) ti\u1ec7c(g) M\u00ecnh(e) M\u00e1u(h) th\u00e1nh(h.) Ng\u01b0\u1eddi,(d.) (:)\r\nL\u00e0(e) th\u1eadt(g) kho(g) t\u00e0ng(e) v\u1eadn(g) ban(h) l\u01b0\u01a1ng(h) th\u1ea7n(g.) (,)\r\nN\u01a1i(h) kh\u00e1ch(i) \u0111\u00e0y(g) \u1edf(hg) l\u1ea1i(fe) v\u00ec(d) con.(e.) (::)\r\n6. Gi\u00ea-(e)su(e) \u1ea9n(f) \u0111\u00e2y,(ed) s\u1ef1(g) th\u1eadt(g) kh\u00f4ng(hj) th\u1ea5y(j.) (,)\r\nH\u00e3y(jk) tin(j) y(j) nh\u01b0(i) Ng\u01b0\u1eddi(h) \u0111\u00e3(j) ph\u00e1n.(ivHG.) (:)\r\nM\u00ecnh(g) Cha,(h) M\u00e1u(j) Cha(i) ban(h) h\u1ea7u(g) con(h) d\u00f9ng,(h.) (,)\r\nCon(h) ch\u1edb(i) ng\u1ea1i(g) tin(g) v\u00ec(e) ch\u1eb3ng(h) hi\u1ec3u(h.) t\u01b0\u1eddng.(d.) (:)\r\nV\u1ea7y(e) hi\u1ec7p(g) l\u1ea1i(g) th\u1edd(e) ph\u01b0\u1ee3ng(g) Vua(h) nh\u01a1n(h) t\u1eeb,(g.) (,)\r\nNay(h) s\u1ea5p(i) m\u00ecnh(g) k\u00ednh(hg) l\u1ea1y(fe) Gi\u00ea-(d)su.(e.) (::)\r\nA(efe) men.(de..) (::)\r\n"„Tertius mysticus (Der Dritte ist mystisch)“
Der 3. Ton (Phrygisch) wird oft als mystisch, streng oder stürmisch beschrieben.
Mit diesem GABC Code kann der Choral z.B. mit GregorioTeX gerendert werden.