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Gregorianischer Choral
"(c3)Xin(e) Ch\u00faa(f) Ng\u00f4i(ed) Ba(e) \u0111\u1ebfn(fe) th\u0103m(h) vi\u1ebfng(i) con,(h.) (;) \r\nXu\u1ed1ng(h) \u0111\u1ea7y(e) \u01a1n(f) nhi\u1ec7m(h) linh(ih) soi(i) tr\u00ed(j) kh\u00f4n,(i.) (:)\r\nL\u00e0m(h) vui(ij) ph\u1ec9(hg) t\u00e2m(fe) th\u1ecfa(hi) l\u00f2ng(e) con(f) th\u1ea3o(h.) (;)\r\nH\u00e3y(gh) \u0111o\u00e1i(f) th\u01b0\u01a1ng(ed) nh\u01a1n(f) gian(fgf) ban(e) \u0111\u1ea7y(d) \u01a1n.(e.) (::)\r\n2. \r\nKhen(e) Th\u00e1nh(f) Danh(ed) cao(e) c\u1ea3(fe) hay(h) x\u00f3t(i) th\u01b0\u01a1ng,(h.) (;)\r\nCh\u00ednh(h) l\u00e0(e) \u01a1n(f) tr\u1ecdng(h) thi\u00eang(ih) chi(i) qu\u00ed(j) h\u01a1n.(i.) (:)\r\nNgu\u1ed3n(h) sinh(ij) ch\u1ea3y(hg) th\u00f4ng(fe) l\u1eeda(hi) l\u00f2ng(e) y\u00eau(f) m\u1ebfn,(h.) (;)\r\nCh\u1eefa(gh) v\u1ebft(f) th\u01b0\u01a1ng(ed) linh(f) \u0111\u01a1n(fgf) nh\u01b0(e) d\u1ea7u(d) t\u01b0\u01a1m.(e.) (::)\r\n3.\r\nBan(e) ph\u00e1t(f) \u01a1n(ed) thi\u00eang(e) th\u00e1nh(fe) ph\u00e2n(h) b\u1ea3y(i) khoa,(h.) (;)\r\nCh\u00faa(h) qu\u1eddn(e) sang(f) tr\u1ecdng(h) thay(ih) nh\u01b0(i) Ch\u00faa(j) Cha.(i.) (:)\r\n\u0110\u1ed3ng(h) vinh(ij) hi\u1ec3n,(hg) Ng\u00f4i(fe) Cha(hi) \u0111\u00e3(e) sai(f) \u0111\u1ebfn,(h.) (;)\r\n\u0110\u1ec3(gh) s\u00e1ng(f) soi(ed) khai(f) quang(fgf) cho(e) lo\u00e0i(d) ta.(e.) (::)\r\n4.\r\nXin(e) Ch\u00faa(f) soi(ed) cho(e) bi\u1ebft(fe) v\u00e2ng(h) \u00fd(i) tr\u00ean,(h.) (;)\r\nTh\u1ea5y(h) \u0111o\u00e0n(e) con(f) l\u1ea1nh(h) t\u00e2m,(ih) nung(i) \u0111\u1ed1t(j) th\u00e2m.(i.) (:)\r\nC\u00f9ng(h) xin(ij) h\u00e3y(hg) ban(fe) v\u1eefng(hi) l\u00f2ng(e) c\u01b0\u01a1ng(f) quy\u1ebft,(h.) (;)\r\nB\u1edfi(gh) s\u1ee9c(f) ri\u00eang(ed) kh\u00f4ng(f) ai(fgf) mong(e) l\u00e0m(d) n\u00ean.(e.) (::)\r\n5.\r\nXin(e) \u0111\u00e1nh(f) tan(ed) m\u01b0u(e) ch\u01b0\u1edbc(fe) x\u00f4ng(h) ph\u00e1(i) con,(h.) (;)\r\nPh\u01b0\u1edbc(h) b\u00ecnh(e) an(f) \u0111\u01b0\u1ee3c(h) vui(ih) trong(i) Ch\u00faa(j) lu\u00f4n.(i.) (:)\r\nC\u00f9ng(h) xin(ij) d\u1eabn(hg) \u0111\u01b0a(fe) kh\u1ecfi(hi) \u0111\u00e0ng(e) nguy(f) hi\u1ec3m,(h.) (;)\r\nV\u1eefng(gh) s\u1ee9c(f) theo(ed) Gi\u00ea-(f)su(fgf) tr\u00ean(e) \u0111\u00e0ng(d) ngoan.(e.) (::)\r\n6.\r\nXin(e) kh\u1ea5ng(f) ban(ed) th\u00f4ng(e) hi\u1ec3u(fe) Ng\u00f4i(h) Ch\u00faa(i) Cha,(h.) (;) \r\nBi\u1ebft(h) nh\u00ecn(e) \u01a1n(f) r\u1ed9ng(h) khoan(ih) Ng\u00f4i(i) Ch\u00faa(j) Con.(i.) (:)\r\nC\u00f9ng(h) suy(ij) r\u00f5(hg) ng\u00f4i(fe) ba(hi) l\u00e0(e) Thi\u00ean(f) Ch\u00faa,(h.) (;)\r\nM\u00e3i(gh) k\u00ednh(f) tin,(ed) y\u00eau(f) th\u01b0\u01a1ng(fgf) cho(e) to\u00e0n(d) c\u00f4ng(e.) (::)\r\n7.\r\nC\u1ea7u(e) ch\u00fac(f) khen(ed) \u0111\u00e2u(e) x\u1ee9ng(fe) d\u00e2ng(h) k\u00ednh(i) Cha,(h.) (;)\r\nCh\u00fac(h) m\u1eebng(e) Con(f) M\u1ed9t(h) th\u01b0\u01a1ng(ih) d\u00e2n(i) \u0111\u1eafm(j) sa.(i.) (:)\r\nL\u00f2ng(h) kh\u00e2m(ij) ng\u01b0\u1ee1ng(hg) Ng\u00f4i(fe) Ba(hi) \u0111\u1ed3ng(e) vinh(f) ph\u01b0\u1edbc(h.) (;)\r\nV\u1eabn(gh) \u01b0\u1edbc(f) tr\u00f4ng(ed) mu\u00f4n(f) n\u0103m(fgf) con(e) nh\u00ecn(d) Cha.(e.) (::)"„Octavus perfectus (Der Achte ist vollkommen)“
Der 8. Ton (Hypomixolydisch) wird als weise, würdevoll und vollkommen beschrieben.
Mit diesem GABC Code kann der Choral z.B. mit GregorioTeX gerendert werden.